Few nineteenthcentury western figures had the wide range of experiences and acquaintances that Charles A. Siringo had. Stubborn and egotistical yet honest and freespirited, cowboy and private eye Charlie Siringo wrote several autobiographies that captured the interest of thousands of readers and contributed to the myth of the cowboylawman as an archetypal western hero. Charles Siringo was born on the Texas Gulf Coast in 1855. At an early age he became a cowboy, driving longhorn cattle up the Chisholm Trail. Shortly after writing his first autobiography, A Texas Cowboy, Siringo moved to Chicago, where he heard the bomb explosion that set off the Haymarket riot, and he witnessed its aftermath. The incident motivated him to join the worldfamous Pinkerton's detective agency, and for the next twentytwo years he tracked criminals, traveling throughout the West and to such faraway places as Alaska and Mexico City. Siringo eventually left the Pinkerton agency in 1907 and moved to Santa Fe to become a rancher, writer, and freelance detective. His second autobiography, originally entitled Pinkerton's Cowboy Detective, resulted in a lawsuit and launched a bitter conflict between Siringo and the agency. Ben Pingenot's biography of Siringo reveals him as a truly unique individual, but one with human imperfections. The result is the story of a man in the context of his times, of a man whose path crossed those of Billy the Kid, Bat Masterson, Clarence Darrow, Charles M. Russell, Will Rogers, and others. It is a story of a character just as interesting as Siringo's writings made him appear, but far more complex than he knew, and more thoroughly human than any stiff mythical figure of Western lore.

“An almost perfect novel” of yearning, adventure, and redemption in the dying days of the Old West from the bestselling author of Peace Like a River (St. Louis Post-Dispatch). Minnesota, 1915. With success long behind him, writer, husband, and father Monte Becket has lost his sense of purpose . . . until he befriends outlaw Glendon Hale. Plagued by guilt over abandoning his wife two decades ago, Hale is heading back West in search of absolution. And he could use some company on the journey. As the modern age marches swiftly forward, Becket agrees to travel into Hale’s past, leaving behind his own family for an adventure that will test the depth of his loyalties and morals, and the strength of his resolve. As they flee the relentless former Pinkerton Detective who’s been hunting Hale for years, Becket falls ever further into the life of an outlaw—perhaps to the point of no return. With its smooth mix of romanticism and gritty reality, So Brave, Young, and Handsome examines one ordinary man’s determination to risk everything in order to understand what it’s all worth, in “an old-fashioned, swashbuckling, heroic Western . . . [An] adventure of the heart and mind (The Washington Post Book World).

Cowboy and drifter Frank Clifford lived a lot of lives—and raised a lot of hell—in the first quarter of his life. The number of times he changed his name—Clifford being just one of them—suggests that he often traveled just steps ahead of the law. During the 1870s and 1880s his restless spirit led him all over the Southwest, crossing the paths of many of the era’s most notorious characters, most notably Clay Allison and Billy the Kid. More than just an entertaining and informative narrative of his Wild West adventures, Clifford’s memoir also paints a picture of how ranchers and ordinary folk lived, worked, and stayed alive during those tumultuous years. Written in 1940 and edited and annotated by Frederick Nolan, Deep Trails in the Old West is likely one of the last eyewitness histories of the old West ever to be discovered. As Frank Clifford, the author rode with outlaw Clay Allison’s Colfax County vigilantes, traveled with Charlie Siringo, cowboyed on the Bell Ranch, contended with Apaches, and mined for gold in Hillsboro. In 1880 he was one of the Panhandle cowboys sent into New Mexico to recover cattle stolen by Billy the Kid and his compañeros—and in the process he got to know the Kid dangerously well. In unveiling this work, Nolan faithfully preserves Clifford’s own words, providing helpful annotation without censoring either the author’s strong opinions or his racial biases. For all its roughness, Deep Trails in the Old West is a rich resource of frontier lore, customs, and manners, told by a man who saw the Old West at its wildest—and lived to tell the tale.