This is an anthology of 20 papers that were presented at the Tenth Cooperstown Symposium on Baseball and American Culture, held in June 1998, and co-sponsored by the State University of New York at Oneonta and the National Baseball Hall of Fame and Museum. Commencing with a perceptive speech by keynote speaker G. Edward White, this Symposium examined such topics as whether a city can support two--not just one--major league team, how television broadcasters and their ball clubs interrelate and how masculine dominance in baseball mainly curtailed female advancement in the game and business. These essays, divided into sections titled "Baseball as a Business," "Baseball and Communication," "Baseball and Racial and Ethnic Perspectives," "Baseball and Gender Matters," "Baseball and Images" and "The 'Other' Leagues of Baseball," cut through the quick and easy judgments of the media and offer instead the longer, more informed view of scholars and researchers.

One of the few studies covering the historical flow of mime from its beginnings to postmodern movement theatre, this book explores the evolution of mime and pantomime from the Greeks to the 20th Century, depicting the role of mime in dance, clowning, the cinema, and verbal theatre throughout the centuries. With over sixty illustrations, this worldwide study is indispensable for the student, teacher, or fan of mime.

Hollywood columnist and author John Austin takes readers well beyond the prepared and doctored statements of studio publicists to expose omissions and contradictions in police and coroners' reports. Includes information on the deaths of Elvis, Marilyn, Jean Harlow, and more.

Here is the much requested sequel to 'Hollywoods Unsolved Mysteries', which gained national attention for its controversial revelations about the mysterious deaths of Natalie Wood, Bob Crane, George Reeves, and others. In 'More of Hollywood's Unsolved Mysteries' John Austin picks up where he left off, answering the tough questions and uncovering the truth -- the truth that Hollywood doesnt want you to know.