Studies of evidence of Charles d'Orleans as scholar, politician and poet during his 25 years of captivity in England

Nearly a hundred poets are represented, a number of them in Pound's translations, with emphasis on the Greek, Latin, Chinese, Troubadour, Renaissance, and Elizabethan poets.

Charles II was a renowned ladies' man but, arguably his greatest love--though not in the Biblical sense--was his sister Minette. Separated from her in their youth by a royal inter-marriage, his letters reveal a tender and humane side not often seen in biographies of this cunning and calculating monarch.

"Many fictional works have real, historical authors as characters. Great national literary icons like Virgil and Shakespeare have been fictionalized in novels, plays, poems, movies, and operas. This fashion might seem typically postmodern, the reverse side of the contention that the Author is Dead; but this collection of essays shows that the representation of historical authors as characters can boast of a considerable history, and may well constitute a genre in its own right. This volume brings together a collection of articles on appropriations of historical authors, written by experts in a wide range of major Western literatures."--BOOK JACKET.

This collection engages with questions of influence, a vexed and problematic concept whose intellectual history is both ancient and vast. It examines a range of texts written in French, sometimes in dialogue with visual/musical works, drawn mainly from the eighteenth century onwards. Connections are made with related work in a range of disciplines.

The group Oulipo, born in reaction to the Surrealists, proposes, invents, and applies novel literary constraints. Using memory, and best of all conscious memory, as a theoretical starting point, the implications of writing under constraint are analyzed. For the first time the work of the group Oulipo, and the member's emphasis on the function of literature, is placed in historical, cultural, and philosophical context.

While there are a great many books on Louis XVI, Marie Antoinette and the rest of the French Royal Family, the crucial role of the Duc d'Orleans—the man who bankrolled the French Revolution—has been inexplicably overlooked, and this is the first biography to appear in English for many years. This is despite the fact that he was the only member of a royal house ever to join a revolution against its monarchy and to vote for the judicial murder of the king. As well as bringing vividly to life the famous heroes and villains of the French Revolution, Tom Ambrose introduces the reader to a host of colorful and truly unforgettable characters, including Philippe's friend the Chevalier de Saint-George ("the Black Mozart") with whom he cofounded the first French anti-slavery society, the Duc's mistress Madame de Genlis, femme fatale and leading intellectual of the age, and—most significantly—Philippe himself, a towering figure in one of the most significant periods of European history.