"Fifteen-year-old Lucy discovers that she is a chantress who can perform magic by singing, and the only one who can save England from the control of the dangerous Lord Protector"--Provided by publisher.

"Lucy, a chantress who works magic by singing, is called to court to find a lost instrument of Alchemy. But her magic isn't working properly"--

Power and politics, heartbreak and danger, magic and mermaids—Lucy must conquer it all in the compelling conclusion to the enchanting series that began with Chantress and continued with Chantress Alchemy. With a song, Lucy can control the wind and the water; she can bring castles and kingdoms to their feet. Since Lucy mastered her powers, King Henry has kept her close. And now he’s called her to investigate attempted murder—by a mermaid. All Lucy can glean from the creature they’ve captured is a warning: The sea is coming. We are coming. And we will drown you all. And then the floods begin. Swaths of London are submerged as the people scramble to defend themselves against the water, and the monsters, that are flooding their streets. As mistrust of Lucy’s magic grows, the king relies on Nat, Lucy’s great love, to guide them through the storm. But Nat is cold and distant to Lucy. He swore his love only a year before, but now he calls her “stranger.” Lucy is determined to defeat this powerful new magic alone if she must. But then she hears an eerie song within the water…can it mean that she is not the last Chantress after all?

Readable and scholarly, this up-to-date book covers every aspect of the life of women in ancient Egypt. This book focuses on the life of women in ancient Egypt, while also putting forth a vast array of information about ancient Egyptians in general. Readers begin with a short but thorough introduction to the three great periods of Pharaonic civilization: the Old Kingdom, the Middle Kingdom, and the New Kingdom. Main chapters include the newest evidence scholars have uncovered at important archeological sites in ancient Egypt. The scope of this book is wide and all inclusive, even though it is focused on the life of ancient Egyptian women. The topics in the book cover a vast amount of the knowledge we have about the ancient Egyptians, including material on architecture, art, law, education, medicine, food, religion, music, and spiritual beliefs. It is important to point out that royal women are only discussed in one chapter, so that more "ordinary" ancient Egyptians are the focus of the book. This book is also designed to be readable for people without any background knowledge of the time period. Any reader interested in ancient Egypt will discover a great deal of material.

The wish to affiliate with a specific cultural, social, or ethnical group is as important today as it was in past societies, such as that of the ancient Egyptians. The same significance applies to the self-presentation of an individual within such a group. Although it is inevitable that we perceive ancient cultures through the lens of our time, place, and value systems, we can certainly try to look beyond these limitations. Questions of how the ancient Egyptians saw themselves and how individuals tried to establish and thus present themselves in society are central pieces of the puzzle of how we interpret this ancient culture. This volume focuses on the topic of identity and self-presentation, tackling the subject from many different angles: the ways in which social and personal identities are constructed and maintained; the manipulations of culture by individuals to reflect real or aspirational identities; and the methods modern scholars use to attempt to say something about ancient persons. Building on the work of Ronald J. Leprohon, to whom this volume is dedicated, contributions in this volume present an overview of our current state of understanding of patterns of identity and self-presentation in ancient Egypt. The contributions approach various aspects of identity and self-presentation through studies of gender, literature, material culture, mythology, names, and officialdom.

Lucy’s Chantress magic will make her the most powerful—and most hunted—girl in England in this “richly and thoughtfully written” story (Publishers Weekly). “Sing, and the darkness will find you.” This warning has haunted Lucy ever since she was shipwrecked on a lonely island. Lucy’s guardian, Norrie, has lots of rules, but the most important is that Lucy must never sing. Not ever. But on All Hallows’ Eve, Lucy hears a tantalizing melody on the wind. She can’t help but sing along—and she is swept into darkness. When she awakes in England, Lucy hears powerful men discussing Chantresses—women who can sing magic into the world. They are hunting her, but she escapes and finds sanctuary with the Invisible College, an organization plotting to overthrow the nefarious Lord Protector. The only person powerful enough to bring about his downfall is a Chantress. And Lucy is the last one in England. Lucy struggles to master the song-spells and harness her power, but the Lord Protector is moving quickly. And her feelings for Nat, an Invisible College apprentice and scientist who deeply distrusts her magic, only add to her confusion… Time is running out, and the fate of England hangs in the balance in this entrancing novel that is atmospheric and lyrical, dangerous and romantic.

Women, Gender and Identity in Third Intermediate Period Egypt clarifies the role of women in Egyptian society during the first millennium BCE, allowing for more nuanced discussions of women in the Third Intermediate Period. It is an intensive study of a corpus that is both geographically and temporally localized around the city of Thebes, which was the cultural and religious centre of Egypt during this period and home to a major national necropolis. Unlike past studies which have relied heavily on literary evidence, Li presents a refreshing material culture-based analysis of identity construction in elite female burial practices. This close examination of the archaeology of women’s burial presents an opportunity to investigate the social, professional and individual identities of women beyond the normative portrayals of the subordinate wife, mother and daughter. Taking a methodological and material culture-based approach which adds new dimensions to scholarly and popular understandings of ancient Egyptian women, this fascinating and important study will aid scholars of Egyptian history and archaeology, and anyone with an interest in women and gender in the ancient world.