The unlikely story of Le Corbusier and Chandigarh has proven itself to be one of modernisms boldest experiments. Born of a vision of a modern India, Chandigarhdesigned by Le Corbusierwas created as a statement for an emerging modern nationstate. Its Capitol Complex, considered by many as Le Corbusiers masterpiece, was designated a UNESCO World Heritage Site in 2016. Like all visionaries, Le Corbusier was adept at taking the iconic and symbolic and using them to fashion his own unique vocabulary. This volume explores the way in which his ideas created fertile grounds for architecture and urban planning in Chandigarh, and in India, that encapsulated the visions of the post-war and post-colonial era. With insightful analyses of buildings across Chandigarh, the author illuminates the compositional poetry evident in Le Corbusiers structures and the ways in which the patina of time has changed the city. A visceral journey through a remarkable modernist landscape using the photographic medium, Chandigarh Revealed pays homage to the works of a master with reflective observations of a living city.

In the nineteen-fifties the architectural profession turned its gaze towards India where Le Corbusier had been commissioned to build an ideal modern city. Today, Chandigarh is a pulsating metropolis while, at the same time, the originally planned city was able to retain its garden city character. In her extensive urban portrait, the photographer and ethnologist Ba rbel Ha ndel investigates the alleged contradiction between European modernism and Indian lifestyle. This book presents a range of photographs and texts that exemplify the local modernism of the gesamtkunstwerk that is Chandigarh. With ethnographic flair, the author looks at the adoption of the star architect's systems of rules and regulations. Alternating between architecture and scenes from daily life, her images paint a multifaceted picture of "Living with Le Corbusier" in this unique planned city in India.

Estimation of the Time Since Death remains the foremost authoritative book on scientifically calculating the estimated time of death postmortem. Building on the success of previous editions which covered the early postmortem period, this new edition also covers the later postmortem period including putrefactive changes, entomology, and postmortem r

This analysis of the principles underlying Le Corbusier’s œuvre shows his work in an entirely new light, enhanced by previously unpublished drawings and photographs.

A key publication in the literature on Le Corbusier that offers a new perspective on his creative mind

This books traces the rise to prominence in the twentieth-century of a sub-genre of gothic fiction that is, emphatically, a horror of enlightenment rationality rather than gothic darkness, examining post-modern revisions of Modernist “Promethean” tropes in an eclectic range of gothic, fantasy and SF writing. Whether the subject be terror of London’s churches in the psychogeographical fiction of Iain Sinclair and Alan Moore, the Orcs in the linguistic fantasies of J.R.R. Tolkien, King Kong, killer-computers, or demon-children in post-war British science-fiction, A Book of Monsters offers illuminating perspectives on the darker recesses of the post-modern imagination, setting out a compelling, and comprehensive, overview on our contemporary unconscious.

When India emerged from colonial rule in 1947, the division of Punjab left its historic capital, Lahore, in newly created Pakistan. Indian Prime Minister Jawaharlal Nehru insisted that Punjab's new capital, Chandigarh, should be a symbol of the nation’s faith in the future, unfettered by the traditions of the past. Its design and construction galvanized national attention, and Le Corbusier, the icon of European architectural modernism, was invited to help remake India’s national ideal. Le Corbusier arrived in 1950, in the twilight of his career. He set to work alternately wooing and clashing with Nehru and with the Indian planners and builders, prevailing ultimately only in the design of the Capitol Complex and a few buildings in the Museum Complex, as well as in his enduring symbol of peace and nonalignment, the Open Hand. Vikramaditya Prakash tells the fascinating story that lies behind the planning and architecture of Chandigarh. Drawing on his intimate knowledge of the city, where he grew up as the son of one of the nine Indian architects who assisted in designing Chandigarh, Prakash brings to light stories of town planners, bureaucrats, and architects vying over the colonial past and the symbolic future of India. Different conceptions of the modern and the role of Indian civilization clashed and coalesced in a process that highlights the mutual interdependence of "East" and "West," and the fact that architecture and aesthetics cannot be separated from ideological claims and political implications. Prakash skillfully unfolds the intricate layers of the Capitol’s symbolism, tracing the cultural preconceptions and influences that produced Le Corbusier's understanding of India and animated his obsessions, desires, and aspirations. Chandigarh's Le Corbusier is the story of the making of an Indian modern architecture as both an aspect and an engine of post-colonial culture.