“[Russo’s] first novel in ten years hits the ball out of the park. . . . You’ll lap up this gripping, wise, and wonderful summer treat.” —The Boston Globe “A cascade of charm. . . . Russo is an undeniably endearing writer, and chances are this story will draw you back to the most consequential moments in your own life.”—The Washington Post One beautiful September day, three men in their late sixties convene on Martha's Vineyard, friends ever since meeting in college in the sixties. They couldn't have been more different then, or even today—Lincoln's a commercial real estate broker, Teddy a tiny-press publisher, and Mickey is a musician beyond his rockin' age. But each man holds his own secrets, in addition to the monumental mystery that none of them has ever stopped puzzling over since a Memorial Day weekend right here on the Vineyard in 1971. Now, forty-five years later, three lives and that of a significant other are put on displaywhile the distant past confounds the present ina relentless squall of surprise and discovery. Shot through with Russo's trademark comedy and humanity, Chances Are . . . introduces a new level of suspense and menace that will quicken the reader's heartbeat throughout this absorbing saga.

Chances Are is the first book to make statistics accessible to everyone, regardless of how much math you remember from school.

A compelling journey through history, mathematics, and philosophy, charting humanity’s struggle against randomness Our lives are played out in the arena of chance. However little we recognize it in our day-to-day existence, we are always riding the odds, seeking out certainty but settling—reluctantly—for likelihood, building our beliefs on the shadowy props of probability. Chances Are is the story of man’s millennia-long search for the tools to manage the recurrent but unpredictable—to help us prevent, or at least mitigate, the seemingly random blows of disaster, disease, and injustice. In these pages, we meet the brilliant individuals who developed the first abstract formulations of probability, as well as the intrepid visionaries who recognized their practical applications—from gamblers to military strategists to meteorologists to medical researchers, from blackjack to our own mortality.

Use these hands-on activities to introduce students to a variety of mathematical concepts that are directly tied to the NCTM Standards and to recent research in the field of math instruction. Parent letters, attitude surveys, group rating sheets, and a student response journal are included in a special assessment section. Grades 3-7. (Great for the multi-age classroom!)

This innovative work makes use of psychoanalytic, queer, and narrative theories to read nineteenth and twentieth-century American literature and demonstrate how the concept of contingency—whether chance, accident, luck, or mutation—enriches our understanding of how queer sexualities are articulated. Perhaps love always carries an element of contingency (our attraction to a particular person can be arbitrary and inexplicable), and a sense of necessity (we find that we cannot imagine life without them). But contingency and chance mean something different for queer subjects. In a heteronormative culture, heterosexuality claims to be necessary (it must be), whereas homosexuality not only could be otherwise, but perhaps it should be otherwise, and probably it should not be at all. This book outlines why and how issues of chance and contingency should matter to queer theory and queer literary studies. Combining psychoanalytic, queer, and narrative theories, Chances Are considers nineteenth- and twentieth-century American literary texts that formally or thematically involve contingencies of their own, including narrative coincidences and accidents, the role of luck in notions of race and class, and efforts to imagine queer hermeneutic methods that make space for contingency. Literary texts include Edgar Allan Poe’s "The Mystery of Marie Rogêt" (1842), Horatio Alger’s Ragged Dick novels (1868-69), Frank Norris’s The Pit (1903) and Edith Wharton’s The House of Mirth (1905), Frances E.W. Harper's Iola Leroy (1892) and Nella Larsen's Passing (1929), H.D.'s Tribute to Freud (1956), and Alison Bechdel's Are You My Mother (2012). This dynamic and original text would be suitable for students and researchers in literary studies, critical theory and women’s and gender studies.

A test of passion… Dione Williams knew what it was like to be young and pregnant with nowhere to go. Years later, through hard work and sheer force of will, she had provided a good life for her daughter and started a successful home for teenage mothers and their babies. But from the moment television producer Garrett Lawrence began a story on the teen center, Dione's hard-won confidence was shaken. How could a man she found so attractive and intelligent be so cynical about unwed mothers? Battling her conflicted emotions, Dione would have to defend the work she believed in—even if it cost her a love that promised a lifetime of happiness. A test of love… Garrett didn't think much of "irresponsible" teen mothers. He knew firsthand the misery of being given away and searching for the acceptance he never could seem to find. Although he found himself drawn closer and closer to Dione because of her independence and passionate determination, his painful past kept getting in the way. Now Garrett and Dione must find their way to each other through a search only the heart can undertake—and only love can bring.

A hands-on guide to learning statistics, discussing presentation, arithmetic operations, frequency distributions, percents, probability, and other topics; with chapter reviews, exercises, and solutions.