Robert Day has invented a new form, the Chance Encounters of a Literary Kind memoirs?brief, whimsical, sometimes touching, reminiscences about his brushes (often friendships) with literary greatness. He treats Shakespeare, William Stafford, Mavis Gallant, John Barth, Ray Carver, Walter Bernstein, and Michael de Montaigne. Some he met and knew in person; others he met in his mind. But the collision is sparkling in its reverent irreverence, airy, gossamer-thin, a playful and informal jeu d?esprit that takes itself not very seriously, yet with flashes of seriousness and wit.

This e-book is an extract from Encounters that Changed the World and is also available as part of that complete publication. He didn’t realize it at the time, but in the late 1860s, David Livingstone had disappeared and was presumed dead. He had been in Central Africa and out of touch with the world for 5 years. In November 1871, Henry Morton Stanley mounted an expedition to find him. Read about the famous encounter between Stanley and Livingstone along with other famous chance encounters that changed the world.

In Jane Austen's Pride and Prejudice, Fitzwilliam Darcy arrives at Netherfield in a state of indignation and delivers an insult that nearly ended his future before it began. What if he did not go to Meryton that autumn and instead met Elizabeth Bennet later in London during the winter? What if their introduction was not an insult, but rather a challenge to smile, and how does the strength of an extraordinary couple help them to survive all that life sends their way? Chance Encounters is a journey of the imagination, and explores how a resigned and wiser Elizabeth meets a hardened Darcy. It follows them and their families through their courtship, marriage, and beyond. Together they experience a mature love. Revised 2012 edition. This story contains scenes of a mature nature. Linda Wells is the author of Fate and Consequences, Perfect Fit and the Memory and Imperative series.

The Thirtieth anniversary edition of THE Kansas cult novel--a wild romp across 1970s Kansas--with a new foreword by Howard Lamar, new afterword by the author, and a reprinted essay, "The Last Cattle Drive Stampede," that is a send-up of some of Hollywood's feckless attempts to make a move based on the popular novel.

This book has been written to fIll a substantial gap in the current literature in mathemat ical education. Throughout the world, school mathematical curricula have incorporated probability and statistics as new topics. There have been many research papers written on specifIc aspects of teaching, presenting novel and unusual approaches to introducing ideas in the classroom; however, there has been no book giving an overview. Here we have decided to focus on probability, making reference to inferential statistics where appropriate; we have deliberately avoided descriptive statistics as it is a separate area and would have made ideas less coherent and the book excessively long. A general lead has been taken from the fIrst book in this series written by the man who, probably more than everyone else, has established mathematical education as an aca demic discipline. However, in his exposition of didactical phenomenology, Freudenthal does not analyze probability. Thus, in this book, we show how probability is able to organize the world of chance and idealized chance phenomena based on its development and applications. In preparing these chapters we and our co-authors have reflected on our own acquisition of probabilistic ideas, analyzed textbooks, and observed and reflect ed upon the learning processes involved when children and adults struggle to acquire the relevant concepts.

A brilliant, lost feminist classic that is equal parts domestic drama and international intrigue. Shirley and Coenraad’s affair has been going on for decades, but her longing for him is as desperate as ever. She is a Toronto housewife; he works for an international organization known only as the Agency. Their rendezvous take place in Tangier, in Hong Kong, in Rome and are arranged by an intricate code based on notes slipped into issues of National Geographic. He recognizes her by her costume: a respectable black dress and string of pearls; his appearance, however, is changeable. But something has happened, the code has been discovered, and Coenraad sends Shirley (who prefers to be known as “Lola Montez”) to Toronto, the last place she wants to go. There the trail leads her through the sites of her impoverished immigrant childhood and sends her, finally, to her own house, where she discards her pearls and trades in her basic black for a dress of vibrant multicolored silk. Helen Weinzweig published her first novel when she was fifty-eight. Basic Black with Pearls, her second, won the Toronto Book Award and has since come to be recognized as a feminist landmark. Here Weinzweig imbues the formal inventiveness of the nouveau roman with psychological poignancy and surprising humor to tell a story of simultaneous dissolution and discovery.