This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

Through detailed readings of a wide variety of accounts, debates, and representations, Encounters with Wild Children explores the many different meanings these children were given and the varied responses they elicited. Adriana Benzaqu n explains why wild children continue to haunt and fascinate Western scientists and shows how the knowledge they have generated in different disciplines, including anthropology, psychology, psychiatry, pedagogy, linguistics, and sociology, has contributed to the shaping and reshaping of the modern understanding of "the child" and affected the social and institutional practices directed at all children in schools, welfare, mental health, and the law.

Today, branches of chains such as William Hill and Ladbrokes are familiar sights in high streets across Britain, and betting takes place on all sorts of events - from horse-racing to general elections, from football-match results to the likelihood of snow falling on Christmas Day. Yet until 1961 street bookmakers were illegal, and old prejudices are slow to fade away. A stigma is still attached to bookmaking, and for many people bookmakers remain a disreputable and shady lot. This book sets out to examine why this is the case. Social historian Carl Chinn was himself a bookmaker, like his father and grandfather before him, and therefore brings his own unique perspective to this lively and highly readable account of the profession's history, from its origins among the sharpsters who hoodwinked punters at racecourses, to the illegal street bookies who offered the working class a tantalising escape from poverty, to the growth of leisure empires such as Coral and William Hill.

Written in a detailed and fascinating manner, this book is ideal for general readers interested in the English language.

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.