Stories by Nobel Prize winner Mo Yan, Booker Prize winner Su Tong, and more: “Takes readers into worlds the Chinese government has long tried to hide.”—The Washington Post Book World “In contrast to the utopian official literature of Communist China, the stories in this wide-ranging collection marshal wry humor, entangled sex, urban alienation, nasty village politics and frequent violence...’The Brothers Shu,’ by Su Tong (Raise the Red Lantern), is an urban tale of young lust and sibling rivalry in a sordid neighborhood around the ironically named Fragrant Cedar Street. That story’s earthiness is matched by Wang Xiangfu’s folksy ‘Fritter Hollow Chronicles,’ about peasants' vendettas and local politics, and by ‘The Cure,’ by Mo Yan (Red Sorghum; The Garlic Ballads), which details the fringe benefits of an execution. Personal alienation and disaffection are as likely to appear in stories with rural settings (Li Rui’s ‘Sham Marriage’) as they are to poison the lives of urban characters (Chen Cun’s ‘Footsteps on the Roof’). Comedy takes an elegant and elaborate form in ‘A String of Choices,’ Wang Meng’s tale of a toothache cure, and it assumes the burlesque of small-town propaganda fodder in Li Xiao’s ‘Grass on the Rooftop.’”—Publishers Weekly “Fiction that reflects the turmoil brought about by Tiananmen and the money-making ethic found in China today.”—Library Journal Includes contributions by Shi Tiesheng, Hong Ying, Su Tong, Wang Meng, Li Rui, Duo Duo, Chen Ran, Li Xiao, Yu Hua, Mo Yan, Ai Bei, Cao Naiqian, Can Xue, Bi Feiyu, Yang Zhengguang, Ge Fei, Chen Cun, Chi Li, Kong Jiesheng, Wang Xiangfu

Masculinity, fast-changing and regularly declared to be in the throes of crisis, is attracting more popular and scholarly debate in China than ever before. At the same time, Chinese literature since 1989 has been characterized as brimming with countercultural ‘attitude’. This book probes the link between literary rebellion and manhood in China, showing how, as male writers critique the outcomes of decades of market reform, they also ask the same question: how best to be a man in the new postsocialist order? In this first full-length discussion of masculinity in post-1989 Chinese literature, Pamela Hunt offers a detailed analysis of four contemporary authors in particular: Zhu Wen, Feng Tang, Xu Zechen, and Han Han. In a series of insightful readings, she explores how all four writers show the same preoccupation with the figure of the man on the edges of society. Drawing on longstanding Chinese and global models of maverick, as well as marginal masculinity, and responding to a desire to retain a measure of masculine authority, their characters all engage in forms of transgression that still rely heavily on heteronormative and patriarchal values. Rebel Men argues that masculinity, so often overlooked in literary analysis of contemporary China, continues to be renegotiated, debated, and agonized over, and is ultimately reconstructed as more powerful than before. ‘An exceptionally lucid, elegant study of masculinity in mainland Chinese fiction of the 1990s and 2000s. Both historically and theoretically informed, Rebel Men: Masculinity and Attitude in Postsocialist Chinese Literature offers a major new perspective on post-1989 Chinese counterculture.’ —Julia Lovell, Birkbeck, University of London

This is a rich and comprehensive study of beggars’ culture and the institution of mendicancy in China from late imperial times to the mid-twentieth century, with a glance at the resurgence of beggars in China today. Generously illustrated, the book brings to life the concepts and practices of mendicancy including organized begging, state and society relations as reflected in the issues of poverty, public opinions of beggars and various factors that contribute to almsgiving, the role of gender in begging, and street people and Communist politics. Panoramically, the reader will see that the culture and institution of Chinese mendicancy, which had its origins in earlier centuries, remained remarkably consistent through time and space and that there were perennial and lively interactions between the world of beggars and mainstream society.

"Essays, poems, songs, folkloric anecdotes and photographs celebrating the myth of Mao. ... The editor supplies an insightful, and cohesing introduction". -- Reference & Research Book News "(A) highly entertaining and informative collection of translations of official, admiring, tacky, but sometimes also highly critical writings, and illustrations of objects, all featuring Mao. ... A must-have book for everybody interested in contemporary China, Mao, and his legacy now and in the future". -- China Information

In the years since the death of Mao Zedong, interest in Chinese writers and Chinese literature has risen significantly in the West. In 2000, Gao Xingjian became the first Chinese writer to receive the Nobel Prize for Literature followed by Mo Yan in 2012, and writers such as Ha Jin and Da Sijie have also become well known in the West. Despite this progress, the vast majority of Chinese writers remain largely unknown outside of China. This book introduces the lives and works of eighty contemporary Chinese writers, and focuses on writers from the "Rightist" generation (Bai Hua, Gao Xiaosheng, Liu Shaotang), writers of the Red Guard generation (Li Rui, Wang Anyi), Post-Cultural Revolution Writers, as well as others. Unlike earlier works, it provides detailed, often first-hand, biographical information on this wide range of writers, including their career trajectories, major themes and artistic characteristics. In addition to this, each entry includes a critical presentation and evaluation of the writer’s major works, a selected bibliography of publications that includes works in Chinese, works translated into English, and critical articles and books available in English. Offering a valuable contribution to the field of contemporary Chinese literature by making detailed information about Chinese writers more accessible, this book will be of interest to students and scholars Chinese Literature, Contemporary Literature and Chinese Studies.

The many points of contact and conflict about culture and identity that exist between Europe and the Asia Pacific are highlighted in this book. This work surveys a variety of issues relating to culture, identity and representation from an interdisciplinary perspective, with contributions from sociology, economics, history, politics, international relations, security studies, museum studies, translation studies and literary and cultural studies. Each brings a different perspective to bear on questions of culture and identity in the contemporary period, and how these relate to the politics of representation.

During the 1980s & 1990s the crippled agent who fails to realise the humanist autonomy envisioned by post-Mao theorists remained a common subject of Chinese literature. Rong Cai studies the work of five contemporary writers & assesses the reasons for the popularity of this subject.