This publication provides new information about the temple ritual texts from ancient Mesopotamia, in particular from the cities Uruk and Babylon, and shows how important the public cults were in Hellenistic times, at least until the first century B.C.

This volume honors Ran Zadok's work by focusing on his sustained interest in Mesopotamian social history. It brings together a rich array of scholarship on ancient names, deities, individuals, and institutions, from Persepolis to the Levant. Building on Zadok's intellectual concerns, this book includes contributions that expand our understanding of the diverse tapestry of the peoples who inhabited the Ancient Near East.

This book is about the pantheon of the Babylonian city of Uruk, between the 9th and 5th centuries BC. It is a careful analysis of the archive of the Eanna temple in Uruk, the sanctuary of the goddess Ishtar, containing well over 8,000 cuneiform tablets in the Akkadian language. The tablets date in their majority to the Neo-Babylonian and early Achaemenid period. Paul-Alain Beaulieu sheds light on the hierarchy of the local pantheon, providing a wealth of data concerning the cult of each deity, such as identity and theology, ornaments and clothing of the divine image, offerings ceremonies, temples, and cultic personnel. An important contribution to our knowledge of the functioning of religion in Neo-Babylonian society.

Every human being is born and has gone through a process of birth. Yet the topic of birth remains deeply underrepresented in the humanities, overshadowed by a scholarly focus on death. This book explores how imagery is used ritualistically in religious, secular, and nonreligious ways during birth, through analysis of a wide variety of art, iconography, poetry, and material culture. Objects central to the book’s study include religious figurines, paintings about birth, and other items representative of pregnancy, crowning, or giving birth that have an historical or original meaning connected to religion. Contemporaryartists are also creating new art in which they represent birth and mothering as nonreligious events that are sacred or divine. Framed through the concept of social ontology, which examines the nature of the social world and studies how people create meaning out of the various objects, images, and processes that make up human social life, the book theorizes a social ontology of birth, focusing on how the meaning of imagery undergoes metamorphosis between the spheres of religion, secularity, nonreligion, and the sacred when used during birth as a rite of passage. Included in the study are more than thirty images of birth, some of which have never been written about before.