Despite its beauty, individuality and variety of design, the red or brown unglazed stoneware produced at Yixing in Jiangsu Province has received less attention than other branches of Chinese ceramic art. The Yixing potters have always specialized in the making of teapots, whose use became widespread during the Ming period as a result of the innovation of making tea from rolled leaves, rather than using it in the fine-ground, powdered from in which it had previously been supplied.

"This photographic opus expresses the sublime beauty of the people, nature, and places of this legendary region of India. From palaces to singular creative interiors, this promenade through the myriad colors and traditional handicrafts of Rajasthan captures the idealized Western dream of the Orient" -- Publisher's description.

The Mongol takeover in the 1270s changed the course of Chinese history. The Confucian empireÑa millennium and a half in the makingÑwas suddenly thrust under foreign occupation. What China had been before its reunification as the Yuan dynasty in 1279 was no longer what it would be in the future. Four centuries later, another wave of steppe invaders would replace the Ming dynasty with yet another foreign occupation. The Troubled Empire explores what happened to China between these two dramatic invasions. If anything defined the complex dynamics of this period, it was changes in the weather. Asia, like Europe, experienced a Little Ice Age, and as temperatures fell in the thirteenth century, Kublai Khan moved south into China. His Yuan dynasty collapsed in less than a century, but Mongol values lived on in Ming institutions. A second blast of cold in the 1630s, combined with drought, was more than the dynasty could stand, and the Ming fell to Manchu invaders. Against this backgroundÑthe first coherent ecological history of China in this periodÑTimothy Brook explores the growth of autocracy, social complexity, and commercialization, paying special attention to ChinaÕs incorporation into the larger South China Sea economy. These changes not only shaped what China would become but contributed to the formation of the early modern world.

Reprint of the original, first published in 1842.

Chinese contemporary art is currently enjoying a worldwide boom, fetching record-breaking prices at auction houses around the globe. The country's rapid transition from Communism to consumerism, and the dizzying changes brought about by urbanization, globalization and new technologies have created a fascinating explosion of art overwhelmingly concerned with the search for self-identity in a society that, from Confucius to Mao, has traditionally disregarded individualism for the collective good. Avatars and Antiheroesreflects the schizophrenic undercurrents of a nation in continuous fast-forward. From the Cynical Realism and Political Pop movements associated with the post-Tiananmen generation of artists such as Yue Minjun, whose grinning representations of himself as antihero seem to mock the revolutionary heroes of old, to the pop-culture generation spearheaded by Cao Fei, whose digital avatars live in a world without borders, this book showcases the work of the most important contemporary artists to emerge from China in recent years. Stunning full-color plates of the work of Chinas leading painters, photographers, sculptors, performance artists, video artists, and even a fireworks artist are complemented by insightful commentary from Beijing-based art specialist Claudia Albertini, who personally interviewed many of the artists featured.

本书展览以肖生玉雕为题, 展出181项作品, 年代由新石器时代至清代. 动物种类有传说中的瑞兽, 也有描写自然界的鸟, 鱼, 虫.