The bombs fell. Nations wielded varied and monstrous weapons against one another. Fires, clouds of poison, and worse have swept the world. Now only the savage Wastes remain: haunted by mutants, deranged robots, and genegineered monstrosities. But from the fire, heroes and villains rise: tribals, survivors, mutants, all the warped remnants of Humanity. Armed with primitive weapons, pre-Collapse artifacts, and afflicted by strange mutations, they set forth to conquer the wastes, or at least to survive them. By spear and laser, they shall prevail - or die a horrible death. Cepheus Atom is a lightweight role-playing game where players assume the roles of survivors exploring a sci-fantasy post-apocalyptic world. This is, as some people call it, a "gonzo" apocalypse - expect sentient mutant animals and plants!, death-ray guns, and wild mutations, rather than the grimmer darkness of a more realistic apocalypse. The rules are designed for fast, "beer and pretzels" play, where players roll dice and blow up stuff between bites of pizza and sips of soft drink, all while enjoying an evening with friends. All you need to play are this booklet, a few six-sided dice, writing supplies, and your wild imagination.

A thought provoking study of the powerful impact of images in guiding astronomers' understanding of galaxies through time.

Visual Astronomy introduces the basics of observational astronomy, a fundamentally limitless opportunity to learn about the universe with your unaided eyes or with tools such as binoculars, telescopes, or cameras. The book explains the essentials of time a

*A New York Times Notable Book* Boldly challenging conventional wisdom, acclaimed science writer and Omni magazine cofounder Dick Teresi traces the origins of contemporary science back to their ancient roots in this eye-opening and landmark work. This innovative history proves once and for all that the roots of modern science were established centuries, and in some instances millennia, before the births of Copernicus, Galileo, and Newton. In this enlightening, entertaining, and important book, Teresi describes many discoveries from all over the non-Western world—Sumeria, Babylon, Egypt, India, China, Africa, Arab nations, the Americas, and the Pacific islands—that equaled and often surpassed Greek and European learning in the fields of mathematics, astronomy, cosmology, physics, geology, chemistry, and technology. The first extensive and authoritative multicultural history of science written for a popular audience, Lost Discoveries fills a critical void in our scientific, cultural, and intellectual history and is destined to become a classic in its field.

Horace G. Danner’s A Thesaurus of English Word Roots is a compendium of the most-used word roots of the English language. As Timothy B. Noone notes in his foreword: “Dr. Danner’s book allows you not only to build up your passive English vocabulary, resulting in word recognition knowledge, but also gives you the rudiments for developing your active English vocabulary, making it possible to infer the meaning of words with which you are not yet acquainted. Your knowledge can now expand and will do so exponentially as your awareness of the roots in English words and your corresponding ability to decode unfamiliar words grows apace. This is the beginning of a fine mental linguistic library: so enjoy!” In A Thesaurus of English Word Roots, all word roots are listed alphabetically, along with the Greek or Latin words from which they derive, together with the roots’ original meanings. If the current meaning of an individual root differs from the original meaning, that is listed in a separate column. In the examples column, the words which contain the root are then listed, starting with their prefixes, for example, dysacousia, hyperacousia. These root-starting terms then are followed by terms where the root falls behind the word, e.g., acouesthesia and acoumeter. These words are followed by words where the root falls in the middle or the end, as in such terms as bradyacusia and odynacusis.. In this manner, A Thesaurus of English Word Roots places the word in as many word families as there are elements in the word. This work will interest linguists and philologists and anyone interested in the etymological aspects of English language.

Prior to the 1920s it was generally thought, with a few exceptions, that our galaxy, the Milky Way, was the entire Universe. Based on the work of Henrietta Leavitt with Cepheid variables, astronomer Edwin Hubble was able to determine that the Andromeda Galaxy and others had to lie outside our own. Moreover, based on the work of Vesto Slipher, involving the redshifts of these galaxies, Hubble was able to determine that the Universe was not static, as had been previously thought, but expanding. The number of galaxies has also been expanding, with estimates varying from 100 billion to 2 trillion. While every galaxy in the Universe is interesting just by its very fact of being, the author has selected 51 of those that possess some unusual qualities that make them of some particular interest. These galaxies have complex evolutionary histories, with some having supermassive black holes at their core, others are powerful radio sources, a very few are relatively nearby and even visible to the naked eye, whereas the light from one recent discovery has been travelling for the past 13.4 billion years to show us its infancy, and from a time when the Universe was in its infancy. And in spite of the vastness of the Universe, some galaxies are colliding with others, embraced in a graceful gravitational dance. Indeed, as the Andromeda Galaxy is heading towards us, a similar fate awaits our Milky Way. When looking at a modern image of a galaxy, one is in awe at the shear wondrous nature of such a magnificent creation, with its boundless secrets that it is keeping from us, its endless possibilities for harboring alien civilizations, and we remain left with the ultimate knowledge that we are connected to its glory.

In How to Kill a Dragon Calvert Watkins follows the continuum of poetic formulae in Indo-European languages, from Old Hittite to medieval Irish. He uses the comparative method to reconstruct traditional poetic formulae of considerable complexity that stretch as far back as the original common language. Thus, Watkins reveals the antiquity and tenacity of the Indo-European poetic tradition. Watkins begins this study with an introduction to the field of comparative Indo-European poetics; he explores the Saussurian notions of synchrony and diachrony, and locates the various Indo-European traditions and ideologies of the spoken word. Further, his overview presents case studies on the forms of verbal art, with selected texts drawn from Indic, Iranian, Greek, Latin, Hittite, Armenian, Celtic, and Germanic languages. In the remainder of the book, Watkins examines in detail the structure of the dragon/serpent-slaying myths, which recur in various guises throughout the Indo-European poetic tradition. He finds the "signature" formula for the myth--the divine hero who slays the serpent or overcomes adversaries--occurs in the same linguistic form in a wide range of sources and over millennia, including Old and Middle Iranian holy books, Greek epic, Celtic and Germanic sagas, down to Armenian oral folk epic of the last century. Watkins argues that this formula is the vehicle for the central theme of a proto-text, and a central part of the symbolic culture of speakers of the Proto-Indo-European language: the relation of humans to their universe, the values and expectations of their society. Therefore, he further argues, poetry was a social necessity for Indo- European society, where the poet could confer on patrons what they and their culture valued above all else: "imperishable fame."