Cephalopography 2.0 is as much a passionate celebration of cephalopods in all their plurality and finery as it is a collection of poems exploring human identity and experience through the lens of these marine animals. Through experimental takes on traditional poetic forms such as ghazals, tankas and cinquains, as well as more contemporary forms, Rasiqra Revulva delves into ecopoetics and marine biology, creating unique and beautifully composed poems. Cephalopography 2.0 plunges into the depths of human experience to pull out diverse perspectives of how cephalopods and humanity are linked together in ways that stretch beyond the land and the sea.

A warning, a movement, a collection borne of protest. In Watch Your Head, poems, stories, essays, and artwork sound the alarm on the present and future consequences of the climate emergency. Ice caps are melting, wildfires are raging, and species extinction is accelerating. Dire predictions about the climate emergency from scientists, Indigenous land and water defenders, and striking school children have mostly been ignored by the very institutions – government, education, industry, and media – with the power to do something about it. Writers and artists confront colonization, racism, and the social inequalities that are endemic to the climate crisis. Here the imagination amplifies and humanizes the science. These works are impassioned, desperate, hopeful, healing, transformative, and radical. This is a call to climate-justice action. Edited by Madhur Anand, Stephen Collis, Jennifer Dorner, Catherine Graham, Elena Johnson, Canisia Lubrin, Kim Mannix, Kathryn Mockler, June Pak, Sina Queyras, Shazia Hafiz Ramji, Rasiqra Revulva, Yusuf Saadi, Sanchari Sur, and Jacqueline Valencia Proceeds will be donated to RAVEN and Climate Justice Toronto.

In The Gospel of Breaking, Jillian Christmas confirms what followers of her performance and artistic curation have long known: there is magic in her words. Befitting someone who “speaks things into being,” Christmas extracts from family history, queer lineage, and the political landscape of a racialized life to create a rich, softly defiant collection of poems. Christmas draws a circle around the things she calls “holy”: the family line that cannot find its root but survived to fill the skies with radiant flesh; the body, broken and unbroken and broken and new again; the lover lost, the friend lost, and the loss itself; and the hands that hold them all with brilliant, tender care. Expansive and beautiful, these poems allow readers to swim in Jillian Christmas’s mother-tongue and to dream at her shores. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.

"Cephalopography 2.0 is as much a passionate celebration of cephalopods in all their plurality and finery as it is a collection of poems exploring human identity and experience through the lens of these marine animals. Through experimental takes on traditional poetic forms such as ghazals, tankas and cinquains, as well as more contemporary forms, Rasiqra Revulva delves into ecopoetics and marine biology, creating unique and beautifully composed poems. Cephalopography 2.0 plunges into the depths of human experience to pull out diverse perspectives of how cephalopods and humanity are linked together in ways that stretch beyond the land and the sea."--

The definitive survey of an essential feminist poet. In June 2019, Nicole Brossard was awarded the Lifetime Recognition Award from the Griffin Poetry Trust. Rarely has a prize been so richly deserved. For five decades she has writing ground-breaking poetry, fiction, and criticism in French that has always been steadfastly and unashamedly feminist and lesbian. Avant Desire moves through Brossard’s body of work with a playful attentiveness to its ongoing lines of inquiry. Like her work, this reader moves beyond conventional textual material to include ephemera, interviews, marginalia, lectures, and more. Just as Brossard foregrounds collaboration, this book includes new translations alongside canonical ones and intertextual and responsive work from a variety of artist translators at various stages of their careers. Through their selections, the editors trace Brossard’s fusion of lesbian feminist desire with innovation, experimentation, and activism, emphasizing the more overtly political nature of her early work and its transition into performative thinking. Devotees of Brossard will be invigorated by the range of previously unavailable materials included here, while new readings will find a thread of inquiry that is more than a mere introduction to her complex body of work. Avant Desire situates Brossard’s thinking across her oeuvre as that of a writer whose sights are always cast toward the horizon.

Literary Nonfiction. Poetry. In this wide-ranging collection, Andrew DuBois rounds up some 200 reviews of contemporary Canadian poets (from Jordan Abel to Jan Zwicky); American poets, memoirists, and novelists; and twenty-first century literary critics. With an approach that balances careful attention to aesthetics and style with an over-arching commitment to the crucial role of the arts in our personal and social lives, DuBois describes the objects under his discussion with a clarity and precision that aims to be both fair to the artists and enlightening for the reader. Eschewing obscurity, exiling jargon, and resisting political boilerplate, START TO FIGURE is a compelling record of over twenty years of critical response, from a lover of genuine art, meant to educate and entertain.