Introducción, HARRIET S. TURNER Y JOHN W. KRONIK . Galdós y el realismo europeo. "Fortunata y Jacinta" in the Context of European Realism, J. P. STERN. La narrativa del primer Galdós - Galdós cuentista. El artículo costumbrista y "La Fontana de Oro", MARÍA DEL PILAR PALOMO. Don Elías Orejón, el espía que surgió de la sombra, LAUREANO BONET. Los relatos breves de Galdós, ENRIQUE RUBIO CREMADES. Lectura de "Fortunata y Jacinta". Naturaleza y sociedad: claves para la interpretación de "Fortunata y Jacinta", DEMETRIO ESTÉBANEZ CALDERÓN. "Fortunata y Jacinta": el [naturalismo espiritual], FRANCISCO CAUDET. Historia y familia en "Fortunata y Jacinta", CARMEN MENÉNDEZ ONRUBIA. [Quien manda, manda]: la ley y el orden en "Fortunata y Jacinta", JULIO RODRÍGUEZ PUÉRTOLAS. Registros sociolingüísticos en la caracterización de personajes en "Fortunata y Jacinta", JOSÉ Ma NAVARRO ADRIAENSENS. La opinión de Unamuno sobre "Fortunata y Jacinta", PEDRO ORTIZ ARMENGOL. Notas sobre el manuscrito de "Fortunata y Jacinta", FRANCISCO MÁRQUEZ VILLANUEVA. Notas. Homenaje a Stphen Gilman, RODOLFO CARDONA. [Un millón de ojos]: visión, vigilancia y encierro en "Doña Perfecta", CHAD C. WRIGHT. El personaje recurrente en la obra de Galdós, MARTHA G. KROW-LUCAL. La imaginación galdosiana y la cervantina, ALAN SMITH. Diario de un viaje: las cartas de Emilia Pardo Bazán a Benito Pérez Galdós, FRANCISCA GONZÁLEZ ARIAS. Coloquio: la originalidad de Galdós. La [originalidad] de Galdós, CARLOS BLANCO AGUINAGA. El lenguaje de la rebeldía, BIRUTÉ CIPLIJAUSKAITÉ. "Fortunata y Jacinta" y la novela realista: transformación social e identidad individual, JOHN H. SINNIGEN. La modernidad de Galdós. "Fortunata y Jacinta" en el vértice de la modernidad, GERMÁN GULLÓN.

Vols. for 1969- include ACTFL annual bibliography of books and articles on pedagogy in foreign languages 1969-

When a breach birth leaves Paulo severely disabled, his father, the articulate, unsentimental Professor Frigerio, struggles to come to terms with his son’s condition. Face to face with his own limitations, Frigerio confronts the strange way society around him handles Paolo’s handicaps and observes his surprising gifts. In spare, deeply affecting episodes, the professor of language explores the nuanced boundaries between “normal” and “disabled” worlds. A remarkable memoir of fathering, winner of the 2001 Strega Prize, Italy’s most prestigious literary honor, Born Twice is noted Italian author Guiseppe Pontiggia’s American debut. Sometimes meditative, often humorous, and always probing, Pontiggia’s haunting characters linger and resound long after the book is done.

Ángel Rama was one of twentieth-century Latin America's most distinguished men of letters. Writing across Cultures is his comprehensive analysis of the varied sources of Latin American literature. Originally published in 1982, the book links Rama's work on Spanish American modernism with his arguments about the innovative nature of regionalist literature, and it foregrounds his thinking about the close relationship between literary movements, such as modernism or regionalism, and global trends in social and economic development. In Writing across Cultures, Rama extends the Cuban anthropologist Fernando Ortiz's theory of transculturation far beyond Cuba, bringing it to bear on regional cultures across Latin America, where new cultural arrangements have been forming among indigenous, African, and European societies for the better part of five centuries. Rama applies this concept to the work of the Peruvian novelist, poet, and anthropologist José María Arguedas, whose writing drew on both Spanish and Quechua, Peru's two major languages and, by extension, cultures. Rama considered Arguedas's novel Los ríos profundos (Deep Rivers) to be the most accomplished example of narrative transculturation in Latin America. Writing across Cultures is the second of Rama's books to be translated into English.