Celtic Identity and the British Image explores the idea of the Celt and definition of the so-called ''Celtic Fringe'' over the last 300 years. It is the only in-depth study of the literary and cultural representation of Ireland, Scotland, and Wales over this period, and is based on an extremely wide-ranging grasp of issues of national identity and state formation. The idea of the Celt and Celticism is once again highly fashionable.

Celtic Identity and the British Image explores the idea of the Celt and definition of the so-called 'Celtic Fringe' over the last 300 years. It is the only in-depth study of the literary and cultural representation of Ireland, Scotland, and Wales over this period, and is based on an extremely wide-ranging grasp of issues of national identity and state formation. The idea of the Celt and Celticism is once again highly fashionable.

A beautifully illustrated study of Celtic arts -- style, development and revival - and the relationship between art objects and identity, covering 2500 years of history.

To what extent did the Irish disappear from English politics, life and consciousness following the Anglo-Irish War? Mo Moulton offers a new perspective on this question through an analysis of the process by which Ireland and the Irish were redefined in English culture as a feature of personal life and civil society rather than a political threat. Considering the Irish as the first postcolonial minority, she argues that the Irish case demonstrates an English solution to the larger problem of the collapse of multi-ethnic empires in the twentieth century. Drawing on an array of new archival evidence, Moulton discusses the many varieties of Irishness present in England during the 1920s and 1930s, including working-class republicans, relocated southern loyalists, and Irish enthusiasts. The Irish connection was sometimes repressed, but it was never truly forgotten; this book recovers it in settings as diverse as literary societies, sabotage campaigns, drinking clubs, and demonstrations.

Drawing on an immense body of literature and research, Brian Jenkins analyses the forces that shaped mid-nineteenth century Irish nationalism in Ireland and North America as well as the role of the Roman Catholic Church. He outlines the relationship between newly arrived Irish Catholic immigrants and their hosts and the pivotal role of the church in maintaining a sense of exile, particularly among those who had fled the famine. Jenkins also explores the essential "Irishness" of the revolutionary movement and the reasons why it did not emerge in the two other "nations" of the United Kingdom, Scotland and Wales.

Advances in audiovisual technology, most notably the advent of the popular usage of digital technology in the last few years, have altered the face of popular television. Thanks to cable, satellite and now digital technology, television broadcasts can reach an international audience. The reaction from cultural critics has been mixed. As the debate concerning the effects of new telecommunications and audiovisual technology continues unabated, this book examines the underlying hypothesis that collective allegiances are moving away from the national paradigm towards the global/local model and provides a balanced appraisal of the depiction of a select number of group identities on television in Britain and France.

Literary Tourism and the British Isles: History, Imagination, and the Politics of Place explores literary tourism’s role in shaping how locations in the British-Irish Isles have been seen, historicized, and valued. Within its chapters, contributors approach these topics from vantage points such as feminism, cultural studies, geographic and mobilities paradigms, rural studies, ecosystems, philosophy of history, dark tourism, and marketing analyses. They examine guidebooks and travelogues; oral history, pseudo-history, and absent history; and literature that spans Renaissance drama to contemporary popular writers such as Dan Brown, Diana Gabaldon, and J.K. Rowling. Places discussed in the collection include “the West;” Wordsworth Country and Brontë Country; Stowe and Scotland; the Globe Theatre and its environs; Limehouse, Rosslyn Chapel, and the imaginary locations of the Harry Potter series. Taken as a whole, this collection illuminates some of the ways by which “the British Isles” have been created by literary and historical narratives, and, in turn, will continue to be seen as places of cultural importance by visitors, guidebooks, and site sponsors alike.