A book of traditional Celtic tunes arranged for cellos with rockin' groove and chop-based accompaniments. Includes forty-seven tunes from Ireland, Scotland, the Shetland Isles, and Canada in duet arrangements, all chosen with cellists in mind and in a variety of styles including jigs, slip jigs, reels, strathspeys, planxtys and airs in traditional keys. Performing in the groove is so important for string players that the American String Teachers Association recognizes this skill as a separate category in their Alternative String Style Awards. Playing these idiomatic and often syncopated accompanimental patterns is a great way to learn these styles. Companion CD includes all arrangements performed by the author.

This collection contains 14 arrangements of 22 traditional tunes from Ireland and Scotland in a variety of styles including jigs, reels, hornpipes, slip jigs, strathspeys, waltzes and airs. the harmonies are written so that various combinations from solo instrument with piano, to duets and trios, to full string quartet/orchestra are possible. the viola book includes melody (solo) viola, viola harmony, third violin, and full score including violin, viola and cello parts with piano accompaniment. All of the Celtic Tunes for Solo and Ensemble books (Violin, Viola and Cello/Bass) are written as ensemble books, so they can be played as solo books or together as ensemble.

Celebrate the winter season with these concert-ready arrangements influenced by a variety of folk traditions such as Celtic, old-time, bluegrass and Scandinavian fiddle. This collection of time-honored and original melodies is written with a modern string crossover twist to keep both the listener and performer engaged. All tunes are arranged by the Wires String Duo, including their original piece “Campbell Street”. The audio is a stereo recording of each of the arrangements inside this collection. Includes access to online audio.

This collection includes both didactic compositions of J.S. Bach as well as easy arrangements of several of his most popular works. the book begins with easier arrangements and progresses in its level of difficulty. All pieces are played in first position. Most of the piano parts double the cello to aid in performance. Titles include: 'Bouree I' from French Overture; and other favorites.

New cello students nearly always start in first position aided by finger tapes or guides for accurate finger placement. As they advance, they are expected to learn to shift out of first position, but the focus is on the movement of the shift rather than on note locations or pitch accuracy. In this book, author and versatile cellist Halley Feaster introduces a step-by-step approach to understanding each position, leading to thorough comprehension of the cello fingerboard and a more confident and well-rounded player. Together with its engaging video component, Cello Position Handbook shows advanced beginners and intermediate students what notes are available in each of 12 positions. Short exercises and excerpts are provided for practice in each location, ultimately enabling fluid performance without excessive shifting. On completion of this volume, students will be familiar with what notes are available in each position and be able to move comfortably between them while expanding their repertoires. Includes access to online video.

This is the second popular book of beautiful Celtic tunes compiled and arranged for the cello by Abby Newton. Most of the tunes in this collection are from her recent recordings, Castles Kirks and Caves and Ferintosh. the book is organized in three parts: Tunes, Sets, and Duos. the first part, Tunes, contains an assortment of twenty-eight tunes culled mostly from the well know Scottish and Irish traditional tune books including collections by Capt. Simon Fraser, Patrick McDonaldNiel Gow and James Oswald. the second part, Sets, consists of several tunes played in succession. Part three, Duos, includes two part scores (with treble and bass lines) that come mainly from James Oswald's Airs for the Seasons and Burke Thumoth's Collection of Scots and Irish Tunes 1745.

Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!