17 solo arrangements from the British Isles and beyond, in Orkney and other tunings, with standard notation, tablature, and performance notes

This book and online audio presents solo guitar settings of thirteen Celtic and traditional compositions in standard notation and tablature. In addition to well-known Celtic tunes, the author offers a couple of original solos plus arrangements of tunes by the famed Irish harper-Turlough O’Carolan. It is intended for the intermediate to advanced guitarist. All of the arrangements were created with the guitar in an alternate tunings including: CGCGCD, CGDGCD (Orkney), DAAEAB, CFCGCD and DGDGCD. Includes access to online audio that contains all of the tunes in the book and should provide a welcome assist in learning these tasteful, sometimes challenging arrangements.

Forty beautiful Celtic melodies arranged for solo fingerstyle guitar. All the songs are arranged to be easily playable. Most of the songs are in standard tuning plus there is an additional section in DADGAD tuning. A CD is included featuring all the songs.

(Guitar Solo). A beautiful collection of 15 Celtic arrangements: The Ash Grove * Birniebouzle * Carrickfergus * Danny Boy * Loch Lomond * Mist Covered Mountains of Home * O My Love Is like a Red, Red Rose * Ned of the Hill * O'Carolan's Journey to Cashel * Scarborough Fair * Sheebeg and Sheemore (Si Bheag, Si Mhor) * The Skye Boat Song * Tarboulton Reel * Wild Mountain Thyme * Ye Banks and Braes O' Bonnie Doon.

(Guitar Solo). 15 favorites arranged for solo guitar in notes and tab, including: Down by the Salley Gardens * The Foggy Dew * The Galway Piper * The Gypsy Rover * Londonderry Air * Molly Malone * Sweet Rosie O'Grady * Water Is Wide * The Wearing of the Green * When Irish Eyes Are Smiling * Whiskey in the Jar * Wild Rover * and more.

This collection of traditional music from Ireland and Scotland arranged for solo guitar is the result of a passionate study of the tradition by some of the finest musicians playing in this genre. Compiled by Stefan Grossman, this book includes arrangements by Pierre Bensusan, El McMeen, Martin Simpson, Pat Kirtley, Duck Baker, Tom Long & Steve Baughman. Looking back less than a century you would find this music performed on fiddle, pipes, button accordion, flutes and whistles, in solo and ensemble settings, but never guitar, even in its basic role of providing rhythm. The challenge for those who attempt to translate Celtic traditional music for fingerstyle guitar is to preserve the unique qualities which are the essence of the style. The popularity of alternate tunings in this music tends to come from two different directions. One is in the desire for production of tonalities of droning instruments, ß la the bagpipes, and tunings such as DADGAD and EADEAE make this effect relatively easy. On the other hand, there are guitar tunings which lend themselves easily to the melodic steps and fullness found in the diatonic Celtic harp, such as DGDGBD (open G tuning) and the CGDGAD. DVD is region 0, playable worldwide.

World traveling fingerstyle guitarist Pat Kirtley presents 17 solo guitar arrangements of traditional Irish tunes including a few original compositions in the same vein by himself, Pierre Bensusan, and Duck Baker. As all of the tunes in this 1997 recording were arranged in altered tunings (DADGAD, EADEAE or DADEAD), each appears in both standard notation and tablature with insightful performance notes. In general, these transcriptions from Pat Kirtley's 1997 album of the same title are extremely accurate; the Red-Haired Boy, however, played as a duet with Steve Rector on the album - appears as a solo arrangement in this book. Recommended for the intermediate to advanced player, the author provides insightful performance notes for each tune.