This much-anticipated book presents favorite Irish melodies in stunning fingerstyle arrangements that blend traditional and modern influences. the majority of tunes are performed with the guitar in DADGAD or DGDGBD tuning. the author offers an introductory section on fingerstyle technique as well as informative program notes and his thoughts on accompanying Irish music. In notation and tablature.

Forty beautiful Celtic melodies arranged for solo fingerstyle guitar. All the songs are arranged to be easily playable. Most of the songs are in standard tuning plus there is an additional section in DADGAD tuning. A CD is included featuring all the songs.

World traveling fingerstyle guitarist Pat Kirtley presents 17 solo guitar arrangements of traditional Irish tunes including a few original compositions in the same vein by himself, Pierre Bensusan, and Duck Baker. As all of the tunes in this 1997 recording were arranged in altered tunings (DADGAD, EADEAE or DADEAD), each appears in both standard notation and tablature with insightful performance notes. In general, these transcriptions from Pat Kirtley's 1997 album of the same title are extremely accurate; the Red-Haired Boy, however, played as a duet with Steve Rector on the album - appears as a solo arrangement in this book. Recommended for the intermediate to advanced player, the author provides insightful performance notes for each tune.

Traditionally the role of the guitar in Celtic music has been confined to accompaniment of lead instruments or a vocalist. In this book Steve Baughman suggests ways to break free of this mold, allowing the guitarist to internalize techniques that make the expression of Celtic melodies a pleasant endeavor. Divided into two sections, the book covers melodic and percussive expressive techniques. Written in standard notation and tablature. Audio available online.

This collection of traditional music from Ireland and Scotland arranged for solo guitar is the result of a passionate study of the tradition by some of the finest musicians playing in this genre. Compiled by Stefan Grossman, this book includes arrangements by Pierre Bensusan, El McMeen, Martin Simpson, Pat Kirtley, Duck Baker, Tom Long & Steve Baughman. Looking back less than a century you would find this music performed on fiddle, pipes, button accordion, flutes and whistles, in solo and ensemble settings, but never guitar, even in its basic role of providing rhythm. The challenge for those who attempt to translate Celtic traditional music for fingerstyle guitar is to preserve the unique qualities which are the essence of the style. The popularity of alternate tunings in this music tends to come from two different directions. One is in the desire for production of tonalities of droning instruments, ß la the bagpipes, and tunings such as DADGAD and EADEAE make this effect relatively easy. On the other hand, there are guitar tunings which lend themselves easily to the melodic steps and fullness found in the diatonic Celtic harp, such as DGDGBD (open G tuning) and the CGDGAD. DVD is region 0, playable worldwide.

Learn to crochet cables! Have you ever wanted to create a sweater with beautiful cables, but you didn't know how to knit? Now, in Contemporary Celtic Crochet, you can learn how to use basic crochet stitches to create the same stunning effect on sweater wraps, stoles, cardigans, and more. This book features easy projects, such as hats, scarves and device covers, and more difficult projects, including sweaters, wraps and blankets. Make the Hialeah Honey Baby Blankey to swaddle a newborn or create the Inisheer Sweater Wrap to stay cozy in cool weather. The Cables Meet Lace Cape is perfect for evenings out, and the Pennywhistler's Pack will let you carry your essentials on any day trip. These Celtic-inspired stitches and projects are the perfect addition to your crochet repertoire.

17 solo arrangements from the British Isles and beyond, in Orkney and other tunings, with standard notation, tablature, and performance notes