This book exposes the myths surrounding the propaganda films produced during the Third Reich. One, that the Nazis were infallible masters in the use of film propaganda. Two, that everything the Nazis said was a lie. Three, that only the Riefenstahl documentaries are significant to the modern viewer. It reveals the truth, lies, successes and failures of key films designed to arouse hostility against the Nazis’ enemies, including Ohm Krüger - the most anti-British film ever produced; their 1943 anti-capitalist version of Titanic; anti-English films about Ireland and Scotland; and anti-American films like The Emperor of California and The Prodigal Son. Including an objective analysis of all the key films produced by the Nazi regime and a wealth of film stills, Ian C. Garden takes the reader on a journey through the Nazi propaganda machine. In today’s turbulent world the book serves as a poignant reminder of the levels to which powerful regimes will stoop to achieve power and control.

With its impressive breadth of coverage – both geographically and chronologically – the International Encyclopedia of Military History is the most up-to-date and inclusive A-Z resource on military history. From uniforms and military insignia worn by combatants to the brilliant military leaders and tacticians who commanded them, the campaigns and wars to the weapons and equipment used in them, this international and multi-cultural two-volume set is an accessible resource combining the latest scholarship in the field with a world perspective on military history.

During the 1910s, films about war often featured a female protagonist. The films portrayed women as spies, cross-dressing soldiers, and athletic defenders of their homes—roles typically reserved for men and that contradicted gendered-expectations of home-front women waiting for their husbands, sons, and brothers to return from battle. The representation of American martial spirit—particularly in the form of heroines—has a rich history in film in the years just prior to the American entry into World War I. The American Girl Goes to War demonstrates the predominance of heroic female characters in in early narrative films about war from 1908 to 1919. American Girls were filled with the military spirit of their forefathers and became one of the major ways that American women’s changing political involvement, independence, and active natures were contained by and subsumed into pre-existing American ideologies.

A companion to World War II in Europe, Africa, and the Americas, this volume reevaluates the most enduring literature on basic aspects of the war in Asia and the Pacific. It also covers themes pertaining to societies at war, culture, the arts, and science and technology as well as international relations and the postwar world. Included are not only grand strategy, military and naval campaigns, and matters of diplomacy, but also resistance, collaboration, prisoners of war, and broad topics of the home front, including chapters on gender issues, film, literature, popular culture, and propaganda. This volume and its companion provide the first comprehensive historiographic reference work on the war. Each chapter describes the state of knowledge on the topic, relating each bibliographic reference to the chapter's themes and issues, and concludes with a bibliography. Recent original scholarship is included when it aids new understanding, and older works of enduring value also find a place. The essays in this volume will interest scholars and college teachers as well as advanced students and serious amateurs seeking insight into the history of the war and its literature.

War and Press Freedom: The Problem of Prerogative Power is a groundbreaking and provocative study of one of the most perplexing civil liberties issues in American history: What authority does or should the government have to control press coverage and commentary in wartime? First Amendment scholar Jeffery A. Smith shows convincingly that no such extraordinary power exists under the Constitution, and that officials have had to rely on claiming the existence of an autocratic "higher law" of survival. Smith carefully surveys the development of statutory restrictions and military regulations for the news media from the ratification of the Bill of Rights in 1791 through the Gulf War of 1991. He concludes that the armed forces can justify refusal to divulge a narrow range of defense secrets, but that imposing other restrictions is unwise, unnecessary, and unconstitutional. In any event, as electronic communication becomes almost impossible to constrain, soldiers and journalists must learn how to respect each other's obligations in a democratic system.

'War Cinema' presents an introduction to and overview of films that take war as their main theme. Framing the era with 'Apocalypse Now' and 'Apocalypse Now Redux', the author initially focuses on Vietnam on film in the 1970s and 1980s and how this divisive war was represented.