The Celestial Dancers: Manipuri Dance on Australian Stage charts the momentous journey of the popularization of Manipur’s Hindu dances in Australia. Tradition has it that the people of Manipur, a northeastern state of India, are descended from the celestial gandharvas, dance and music blessed among them as a God’s gift. The intricately symbolic Hindu dances of Manipur in their original religious forms were virtually unseen and unknown outside India until an Australian impresario, Louise Lightfoot, brought them to the stage in the 1950s. Her experimental changes through a pioneering collaboration with dancers Rajkumar Priyagopal Singh and Ibetombi Devi modernized Manipuri dance for presentation on a global stage. This partnership moved Manipur’s Hindu dances from the sphere of ritualistic temple practice to a formalized stage art abroad. Amit Sarwal chronicles how this movement, as in the case of other prominent Indian classical dances and dancers, enabled both Manipuri dance and dancers to gain recognition worldwide. This book is ideal for anyone with an interest in Hindu temple dance, Manipur dance, cross-cultural collaborations and the globalizing of Indian Classical Dance. The Celestial Dancers is a comprehensive study of how an exceptional Hindu dance form developed on the global stage.

In 1917 Annie Besant, a white Englishwoman, was elected president of the Indian National Congress, the body which, under the guidance of Gandhi, would later lead India to independence. Besant - in her earlier career an active atheist and a socialist journalist - was from 1907 till her death the president of the Theosophical Society, an international spiritual movement whose headquarters' location in Madras symbolized its belief in India as the world's spiritual heart. Celestial India deals with the contribution of the Theosophical Society to the rise of Indian nationalism and seeks to restore it to its proper place in the history of ideas, both with regard to its spiritual doctrine and the sources on which it drew, as well as its role in giving rise to the New Age movement of the twentieth century.

The main subjects of analysis in the present book are the stages of initiation in the grand scheme of Theosophical evolution. These initiatory steps are connected to an idea of evolutionary self-development by means of a set of virtues that are relative to the individual’s position on the path of evolution. The central thesis is that these stages were translated from the “Hindu” tradition to the “Theosophical” tradition through multifaceted “hybridization processes” in which several Indian members of the Theosophical Society partook. Starting with Annie Besant’s early Theosophy, the stages of initiation are traced through Blavatsky’s work to Manilal Dvivedi and T. Subba Row, both Indian members of the Theosophical Society, and then on to the Sanâtana Dharma Text Books. In 1898, the English Theosophist Annie Besant and the Indian Theosophist Bhagavan Das together founded the Central Hindu College, Benares, which became the nucleus around which the Benares Hindu University was instituted in 1915. In this context the Sanâtana Dharma Text Books were published. Mühlematter shows that the stages of initiation were the blueprint for Annie Besant’s pedagogy, which she implemented in the Central Hindu College in Benares. In doing so, he succeeds in making intelligible how “esoteric” knowledge was transferred to public institutions and how a broader public could be reached as a result. The dissertation has been awarded the ESSWE PhD Thesis prize 2022 by the European Society for the Study of Western Esotericism.

Explore the eighteenth-century Indian astronomical observatories called the Jantar Mantars, massive, stunning structures built to observe and understand the heavens Between 1724 and 1730, Maharaja Sawai Jai Singh II of Jaipur constructed five astronomical observatories, called Jantar Mantars, in northern India. The four remaining observatories are an extraordinary fusion of architecture and science, combining elements of astronomy, astrology, and geometry into forms of remarkable beauty. The observatories’ large scale and striking geometric forms have captivated the attention of architects, artists, scientists, and historians worldwide, yet their purpose and use remain largely unknown to the public. In this book, Barry Perlus’s visually driven exploration brings readers to the Jantar Mantars and creates an immersive experience. Panoramas plunge the viewer into a breathtaking 360-degree space, while pages of explanatory illustrations describe the observatories and the workings of their many instruments. The book provides the experience of visiting the sites, the historical context of the Jantar Mantars, and an understanding of their scientific and architectural innovations.