Relevance of the religious beliefs and practices of past European societies can enhance understanding of our own. The popular notion of Druids is unpacked and debunked using archaeological evidence. New research findings are shared with readers in accessible and engaging ways, enhanced by copious illustrations that weave into the text. The book is thoroughly readable and tells stories of the past in a deeply compelling manner.

Pieces together archaeological evidence with fragmentary writings of Caesar, Tacitus, and others to give a picture of Roman Britain

From the first major discoveries a century ago, the painted portraits of Roman Egypt were a revelation to scholars and the public alike, and the recent finding of a new cache of these gilded images, which made national headlines, have only heightened their mystery and appeal. Published to coincide with a new major exhibition of these portraits, Ancient Faces is the most comprehensive, up-to-date survey of these astonishing works of art. Dating from the later period of Roman rule in Egypt, shortly before the birth of Christ, the painted mummy portraits are among the most remarkable products of the ancient world, a fusion of the traditions of pharonic Egypt and the Classical world. They are historical and cultural objects of outstanding importance and beauty, superb works of art that represent some of the earliest known examples of life-like portraiture. Though the subjects of the portraits believed in the traditional Egyptian cults, which offered them a firm prospect of life after death, they also wished to be commemorated in the Roman manner, with their fashion of dress and adornment signaling their status in life. Despite their ancient history, these portraits speak to the modern eye with a beauty and intensity that would be lost to portraiture until the Renaissance.

A Cultural History of Color in Antiquity covers the period 3000 BCE to 500 CE. Although the smooth, white marbles of Classical sculpture and architecture lull us into thinking that the color world of the ancient Greeks and Romans was restrained and monochromatic, nothing could be further from the truth. Classical archaeologists are rapidly uncovering and restoring the vivid, polychrome nature of the ancient built environment. At the same time, new understandings of ancient color cognition and language have unlocked insights into the ways – often unfamiliar and strange to us – that ancient peoples thought and spoke about color. Color shapes an individual's experience of the world and also how society gives particular spaces, objects, and moments meaning. The 6 volume set of the Cultural History of Color examines how color has been created, traded, used, and interpreted over the last 5000 years. The themes covered in each volume are color philosophy and science; color technology and trade; power and identity; religion and ritual; body and clothing; language and psychology; literature and the performing arts; art; architecture and interiors; and artefacts. David Wharton is Associate Professor of Classical Studies at the University of North Carolina at Greensboro, USA. Volume 1 in the Cultural History of Color set. General Editors: Carole P. Biggam and Kirsten Wolf

A survey of Italy during the time of ancient Rome that brings together evidence from literary sources, inscriptions, and findings from archaeological excavations.

"Intriguing and stimulating." —Jane Smiley, Harper's In this real-life historical treasure hunt, bestselling author Graham Robb—"one of the more unusual and appealing historians currently striding the planet (New York Times)"—reveals the mapping of ancient Gaul as a reflection of the heavens, demonstrates the lasting influence of Druid science and recharts the exploration of the world and the spread of Christianity. This "fascinating" (Los Angeles Times) history offers nothing less than an entirely new understanding of the birth of modern Europe.