In Catching Hell, longtime seafood mogul Allen Ricca and author Joe Muto take readers behind the scenes of the high-end restaurant world and the international market for seafood, and how that industry has been impacted perhaps like no other due to the COVID-19 pandemic. This book exposes the fact that the American diner is being lied to on a regular basis. The culprit varies – sometimes it’s a chef or restaurant owner trying to cut corners to save money; other times it’s an unscrupulous supplier looking to pass off poor product to an unwitting receiver. And the cost of that scam eventually gets passed on to the consumer, whether it be in the form of higher prices at restaurants and markets, lower quality (or even counterfeit) product getting delivered onto your plate, or – God forbid – food poisoning. Furthermore, Ricca argues, the pandemic has only increased corruption in this industry. This book serves as both an exposé and a call to arms, empowering consumers with the knowledge to make more informed choices when dining out. Some of the things this explosive book reveals: The one fish you should never order, one that’s always a rip-off. (And the one fish that’s always a delicious, virtually-unknown bargain.) Why restaurants that advertise “fresh” fish are almost always lying. How to get your favorite restaurant to treat you like royalty – without dropping thousands of dollars. How the covid-19 pandemic has impacted our food supply chain and what it has meant for the everyday worker.

Since the 1980s, Los Angeles has become the most racially and economically divided city in the United States. In the poorest parts of South Central Los Angeles, buildings in disrepair--the legacy of racial unrest. Moving beyond stereotypes of South Central's predominantly African American residents, João H. Costa Vargas recounts his almost two years living in the district. Personal, critical, and disquieting, Catching Hell in the City of Angels examines the ways in which economic and social changes in the twentieth century have affected the black community, and powerfully conveys the experiences that bind and divide its people. Through compelling stories of South Central, including his own experience as an immigrant of color, Vargas presents portraits of four groups. He talks daily with women living in a low-income Watts apartment building; works with activists in a community organization against police brutality; interacts with former gang members trying to maintain a 1992 truce between the Bloods and the Crips; and listens to amateur jazz musicians who perform in a gentrified section of the neighborhood. In each case he describes the worldviews and the definitions of "blackness" these people use to cope with oppression. Vargas finds, in turn, that blackness is a form of racial solidarity, a vehicle for the renewal of African American culture, and a political expression of revolutionary black nationalism. Vargas reveals that the social fault lines in South Central reflect both contemporary disparities and long-term struggles. In doing so, he shows both the racialized power that makes "blackness" a prized term of identity and the terrible price that African Americans have paid for this emphasis. Ultimately, Catching Hell in the City of Angels tells the story of urban America through the lives of individuals from diverse, overlapping, and vibrant communities. João H. Costa Vargas is assistant professor in the Center for African and African American Studies and the department of anthropology at the University of Texas, Austin. Robin D. G. Kelley is the William B. Ransford Professor of Cultural and Historical Studies at Columbia University. He is the author of numerous books, including Yo Mama's Disfunktional: Fighting the Culture Wars in Urban America.

What if they threw an Apocalypse and nobody came? The end times are upon us, but to be honest, Heaven and Hell have lost all enthusiasm for anything resembling a Final Judgment. Earth's guardian angel, in an act of cosmic negligence, selects Golly Munhollen, part-time race car driver, part-time carny, and full-time dumbass to become humanity's defender against the remaining elements of Hell still bent on starting some trouble come Judgment Day. By day Golly repairs rides on the midway, by night he stumbles ass-backwards into the weird menaces that seem to pop up in every town on the carnival's tour. Golly is aided in his quest by his carny pals: Vaughn, the 6'6" tattooed man; Pig, former freak show fat lady turned strong woman; Miguel, the genius, dog-faced boy-acrobat; and Satan, former monarch of Hell now down on his luck and working the midway for cigarette money. Catching Hell collects the first five issues of the critically acclaimed, groundbreaking Image series, and includes the tale of Golly's origin and his subsequent hapless encounters with a preacher-turned-werehog and a trailer park stalking vampire. It's southern-fried horror fat-packed with high-octane adventure and low-brow humor!

Photographs, poems and press cuttings enhance this account of the achievements of the women of the Abasindi Cooperative, who carved a space in their Manchester community to determine and redefine their conditions - along the way making a significant contribution to community activism in the UK today against race, class and gender oppression

'Tis the season to be wary... Christmas is coming and all is far from calm in Pointe Judah, Louisiana. Newcomer Christian DeAngelo--Angel to his friends--is at his wit's end trying to manage Sonny, the hotheaded nineteen-year-old everyone believes is his nephew. In fact, Sonny is the orphaned son of a notorious mob boss, a protected witness...and Angel's responsibility. Angel has been commiserating with Eileen Moggeridge, whose lonely son Aaron has latched on to Sonny and gotten into deeper trouble than ever. But nothing could prepare Angel and Eileen for the boys' latest crisis: as they are horsing around in the swamp one afternoon, a shot rings out. Aaron is hit, but was the bullet meant for Sonny? Suddenly, goodwill toward men is in short supply and Angel doesn't know who's more dangerous: the hoodoo mystic with an eerie hold over the boys, the hit man roaming the bayou or Eileen's volatile ex-husband, Chuck.

Join Chris Martin for a poetic walking tour of hell—or is it heaven? In this wickedly clever collection, Martin asks how we go about living in the tension between protesting lunatic politicians and picking up the kids from school, mourning a dying Earth and making soup, combating white supremacy and loving our dear ones. Martin’s poems pick at the tender scabs protecting our national and individual identities, and call for more honest healing. Things to Do in Hell channels 2016 anger into 2020 action with sophisticated, rhythmic verse that compels us to beat our swords into ploughshares and join the fight.

Bobby Dollar has a problem or four of epic proportions. Problem one: his best friend Sam has given him an angel's feather that also happens to be evidence of an unholy pact between Bobby's employers and those who dwell in the infernal depths. Problem two: Eligor, Grand Duke of Hell, wants to get his claws on the feather at all costs, but particularly at all cost to Bobby . Problem three: Bobby has fallen in love with Casimira, Countess of Cold Hands, who just happens to be Eligor's girlfriend. Problem four: Eligor, aware of Problem three, has whisked Casimira off to the Bottomless Pit itself, telling Bobby he will never see her again unless he hands over the feather. But Bobby, long-time veteran of the endless war between above and below, is not the type of guy who finds Hell intimidating. All he has to do is toss on a demon's body, sneak through the infernal gates, solve the mystery of the angel's feather, and rescue the girl. Saving the day should just be a matter of an eon or two of anguish, mutilation and horror. If only it were that easy.