Reprint of the original, first published in 1883.

Masque and Opera in England, 1656–1688 presents a comprehensive study of the development of court masque and through-composed opera in England from the mid-1650s to the Revolution of 1688–89. In seeking to address the problem of generic categorization within a highly fragmentary corpus for which a limited amount of documentation survives, Walkling argues that our understanding of the distinctions between masque and opera must be premised upon a thorough knowledge of theatrical context and performance circumstances. Using extensive archival and literary evidence, detailed textual readings, rigorous tabular analysis, and meticulous collation of bibliographical and musical sources, this interdisciplinary study offers a host of new insights into a body of work that has long been of interest to musicologists, theatre historians, literary scholars and historians of Restoration court and political culture, but which has hitherto been imperfectly understood. A companion volume will explore the phenomenon of "dramatick opera" and its precursors on London’s public stages between the early 1660s and the first decade of the eighteenth century.

General Percy Kirke (c. 1647-91) is remembered in Somerset as a cruel, vicious thug who deluged the region in blood after the Battle of Sedgemoor in 1685. He is equally notorious in Northern Ireland. Appointed to command the expedition to raise the Siege of Londonderry in 1689, his assumed treachery nearly resulted in the city's fall and he was made to look ridiculous when the blockade was eventually lifted by a few sailors in a rowing boat. Yet Kirke was closely involved in some of the most important events in British and Irish history. He served as the last governor of the colony of Tangier; played a central role in facilitating the Glorious Revolution of 1688; and fought in the majority of the principal actions and campaigns undertaken by the newly-formed standing armies in England, Ireland and Scotland, especially the Battle of the Boyne and the first Siege of Limerick in 1689. With the aid of his own earlier work in the field, additional primary sources and a recently-rediscovered letter book, John Childs looks beyond the fictionalisation of Kirke, most notably by R. D. Blackmore in Lorna Doone, to investigate the historical reality of his career, character, professional competence, politics and religion. As well as offering fresh, detailed narratives of such episodes as Monmouth's Rebellion, the conspiracies in 1688 and the Siege of Londonderry, this pioneering biography also presents insights into contemporary military personnel, patronage, cliques and procedures.

Richard Ashcraft offers a new interpretation of the political thought of John Locke by viewing his ideas, especially those in the Two Treatises of Government, in the context of his political activity. Linking the implications of Locke's political theory with his practical politics, Professor Ashcraft focuses on Locke's involvement with the radical Whigs, who challenged the established order in England from the 1670s to the 1690s. An equally important aim of the author is to provide a case study of a revolutionary movement that includes a discussion of its organization, ideology, socio-economic composition, and political activities. Based upon a detailed examination of manuscripts, diaries, correspondence, and newspapers, Professor Ashcraft presents a wealth of new historical evidence on the political life of Restoration England. This study represents an example of an approach to political theory that stresses the importance of authorial intentions and of the political, social, and economic influences that structure a particular political debate.