This catalogue provides a comprehensive listing of the oil paintings and watercolor drawings by George Loring Brown that were exhibited and sold at the Doll & Richards gallery in Boston in May of 1901. Brown was a highly-acclaimed American artist known for his beautiful scenes of Venice and other Italian cities. This volume includes detailed descriptions of each work of art, as well as the prices they were sold for at auction. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from Catalogue of Oil Paintings and Water Colours in the Wallace Collection The collection was bequeathed on the condition that the Government for the time being should agree to give a site in a central part of London, and build thereon a special museum to contain it, and it was provided that the said collection should always be kept together, unmixed with other objects of art, and should be styled The Wallace Collection. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.