Papers originally presented at a conference held in Chicago in Oct. 1988, sponsored by the Swedish-American Historical Society, and other others.

Donald Vogel arrived in Dallas at the beginning of World War II after a sojourn at the Art Institute of Chicago. "The feeling of space, its clear clean atmosphere, the calm courtesy of the people and promises of growth all gave hope to a young, would-be painter. What I could not have anticipated was that there would be no gentle growth: it exploded in every direction and the money followed." Along with the wealth came East Coast art dealers who followed the oil field trails throughout Oklahoma and Texas. They brought dubious art and fake old masters, but the same growth that attracted disreputable dealers also made it possible for Vogel to be part of bringing fine works of art to Dallas, first at the Betty McLean Gallery and later at his own Valley House Gallery. In the words of Dechard Turner, "The Gallery opened the doors to the highest levels of sophistication in art. Not all entered, but the triumph of the Vogel story is that many did!" Already established as a painter, Vogel soon became the outlet in Dallas of art dealers in the United States and Europe. He has been an important part of the Dallas art scene for fifty-eight years. In addition to the United States, Donald Vogel's art can be found in private collections in Canada, Mexico, South Africa, Italy, Germany, England, France, Japan and twelve museum collections. His publications include books for the Amon Carter Museum, The Boardinghouse, Charcoal and Cadmium Red, and a Retrospective illustrated catalog.

These posters were designed for other federal agencies, and as travel posters, education and civic activity posters, health and safety posters, and propaganda posters for World War II.

"Should be the classic, central, definitive work on the emergence of Bay Area Figurative painting."--Paul Mills, author of The New Figurative Painting of David Park

For scholars exploring the career of American artist Charles Burchfield and the period in which he worked (1893-1967), this book provides access to listings of his exhibitions and museum collections where his art can be found along with books, articles, films, and exhibition catalogs.