Florence Nightingale is famous as the heroine of the Crimean War and later as a campaigner for medical care founded on a clean environment and good nursing. Suggestions for Thought, which contains the novel Cassandra, is a central text in nineteenth-century history of feminist thought.

The world knows Florence Nightingale as "the lady with the lamp"--the revered founder of nursing as a respectable profession for women. But few people are aware that Nightingale's career began only after years of struggle to free herself from her suffocating Victorian family. In this surprisingly passionate feminist essay (a "brilliant polemic," states Martha Vicinus), Nightingale denounces the lives of idleness she and other women of her class were forced to lead.

Florence Nightingale’s Suggestions for Thought has intrigued readers from feminist-philosopher J.S. Mill (who used it in his The Subjection of Women) to the latest generation of women’s activists. Although selections from this long work have been published, Lynn McDonald is the first editor to work through the numerous surviving drafts of Nightingale’s writing and present it as a complete volume. Suggestions for Thought contains two early attempted novels, draft sermons, and a lengthy fictional dialogue featuring St. Ignatius, founder of the Jesuits, the American evangelical Jacob Abbott, and British agnostic Harriet Martineau (with cameo appearances by Protestant reformer John Calvin and the poet Shelley) all against an unnamed “M.S.” The most famous section of Suggestions for Thought is the essay Cassandra, famous as a rant against the family for stifling womens aspirations. Here the printed text is shown with the original novel draft alongside. McDonald’s introductions to each section provide historical context and Nightingales later views of the work. Currently, Volumes 1 to 11 are available in e-book version by subscription or from university and college libraries through the following vendors: Canadian Electronic Library, Ebrary, MyiLibrary, and Netlibrary.

Florence Nightingale is best known as the founder of modern nursing, a reformer in the field of public health, and a pioneer in the use of statistics. It is not generally known, however, that Nightingale was at the forefront of the religious, philosophical, and scientific though of her time. In a three-volume work that was never published, Nightingale presented her radical spiritual views, motivated by the desire to give those who had turned away from conventional religion an alternative to atheism. In this volume Michael D. Calabria and Janet A. Macrae provide the essence of Nightingale's spiritual philosophy by selecting and reorganizing her best-written treatments. The editors have also provided an introduction and commentary to set the work into a biographical, historical, and philosophical context. This volume illuminates a little-known dimension of Nightingale's personality, bringing forth the ideas that served as the guiding principles of her work. It is also an historical document, presenting the religious issues that were fiercely debated in the second half of the nineteenth century. In Suggestions for Thought, one has the opportunity to experience a great practical mind as it grapples with the most profound questions of human existence.

Florence Nightingale is famous as the “lady with the lamp” in the Crimean War, 1854—56. There is a massive amount of literature on this work, but, as editor Lynn McDonald shows, it is often erroneous, and films and press reporting on it have been even less accurate. The Crimean War reports on Nightingale’s correspondence from the war hospitals and on the staggering amount of work she did post-war to ensure that the appalling death rate from disease (higher than that from bullets) did not recur. This volume contains much on Nightingale’s efforts to achieve real reforms. Her well-known, and relatively “sanitized”, evidence to the royal commission on the war is compared with her confidential, much franker, and very thorough Notes on the Health of the British Army, where the full horrors of disease and neglect are laid out, with the names of those responsible.

Outspoken writings by the founder of modern nursing record fundamentals in the needs of the sick that must be provided in all nursing. Covers such timeless topics as ventilation, noise, food, more.

World-renowned folklorist Maria Tatar reveals an astonishing but long-buried history of heroines, taking us from Cassandra and Scheherazade to Nancy Drew and Wonder Woman. The Heroine with 1,001 Faces dismantles the cult of warrior heroes, revealing a secret history of heroinism at the very heart of our collective cultural imagination. Maria Tatar, a leading authority on fairy tales and folklore, explores how heroines, rarely wielding a sword and often deprived of a pen, have flown beneath the radar even as they have been bent on redemptive missions. Deploying the domestic crafts and using words as weapons, they have found ways to survive assaults and rescue others from harm, all while repairing the fraying edges in the fabric of their social worlds. Like the tongueless Philomela, who spins the tale of her rape into a tapestry, or Arachne, who portrays the misdeeds of the gods, they have discovered instruments for securing fairness in the storytelling circles where so-called women’s work—spinning, mending, and weaving—is carried out. Tatar challenges the canonical models of heroism in Joseph Campbell’s The Hero with a Thousand Faces, with their male-centric emphases on achieving glory and immortality. Finding the women missing from his account and defining their own heroic trajectories is no easy task, for Campbell created the playbook for Hollywood directors. Audiences around the world have willingly surrendered to the lure of quest narratives and charismatic heroes. Whether in the form of Frodo, Luke Skywalker, or Harry Potter, Campbell’s archetypical hero has dominated more than the box office. In a broad-ranging volume that moves with ease from the local to the global, Tatar demonstrates how our new heroines wear their curiosity as a badge of honor rather than a mark of shame, and how their “mischief making” evidences compassion and concern. From Bluebeard’s wife to Nancy Drew, and from Jane Eyre to Janie Crawford, women have long crafted stories to broadcast offenses in the pursuit of social justice. Girls, too, have now precociously stepped up to the plate, with Hermione Granger, Katniss Everdeen, and Starr Carter as trickster figures enacting their own forms of extrajudicial justice. Their quests may not take the traditional form of a “hero’s journey,” but they reveal the value of courage, defiance, and, above all, care. “By turns dazzling and chilling” (Ruth Franklin), The Heroine with 1,001 Faces creates a luminous arc that takes us from ancient times to the present day. It casts an unusually wide net, expanding the canon and thinking capaciously in global terms, breaking down the boundaries of genre, and displaying a sovereign command of cultural context. This, then, is a historic volume that informs our present and its newfound investment in empathy and social justice like no other work of recent cultural history.