When the plans for the prototype of a failed flying machine go missing from the Air and Space Museum's archives, Amal's father, the assistant archivist, is blamed. No one suspects a crime has been committed except Amal and her friends. With her father's job on the line, it's up to them to track down the missing plans. Can Amal and her friends get to the bottom of the museum mystery before it's too late? Discussion questions, writing prompts, a glossary, and nonfiction resources continue the reader's learning experience long after this e-book ends.

Amal and her friends must solve the mystery of the missing flying machine plans before it costs her father his job at the Air and Space Museum.

When the spacesuit of famous astronaut Sally Ride disappears from a traveling exhibit, Amal Farah, daughter of the Air and Space Museum's archivist, and her three friends, are determined to find the culprit before the exhibit is cancelled.

Publisher description

Someone is messing with the Museum of Natural History, mixing human models from the new Pleistocene Megafauna in with the dinosaur exhibits, and Wilson Kipper, whose mother works in the museum as a paleontologist, and his friends are determined to find out who is responsible for the anti-science vandalism--the new professor, her nasty daughter, or someone else entirely.

It's up to Wilson Kipper and his friends to get to the bottom of the mysterious haunting at the Natural History Museum before it's too late.

The remarkable true story of the document heist that shocked the world. Like many aspiring writers, David Breithaupt had money problems. But what he also had was unsupervised access to one of the finest special collections libraries in the country. In October 1990, Kenyon College hired Breithaupt as its library’s part-time evening supervisor. In April 2000, he was fired after a Georgia librarian discovered him selling a letter by Flannery O’Connor on eBay, but that was only the tip of the iceberg: for the past ten years, Breithaupt had been browsing the collection, taking from it whatever rare books, manuscripts, and documents caught his eye—W. H. Auden annotated typescripts, a Thomas Pynchon manuscript, and much, much more. It was a large-scale, long-term pillaging of Kenyon College’s most precious works. After he was caught, the American justice system looked like it was about to disappoint the college the way it had countless rare book crime victims before—but Kenyon, refused to let this happen . . .