In 1927, on the northeast corner of Cherokee and Iowa Streets in south St. Louis, a multistory, multipurpose building was erected. Retail shops and a bowling alley occupied the first floor, while upstairs was a place that defied the imagination of someone driving by in their brand new Model T Ford. Today, that upstairs space, with its lofty ceiling, huge maple tongue-in-groove dance floor, and wraparound balcony, is the Casa Loma Ballroom -- St. Louis' last grand ballroom. Today, one gets the feeling that the ghosts of the big bands and the vocalists still linger there -- and with good reason. Just about everybody who was anybody played there at one time or another. Ol' Blue Eyes himself, before he was the idol of millions, received just a meager "Featured Singer, Frank Sinatra" note at the bottom of the Casa Loma bill the night he played with the Harry James Orchestra.

The fascinating story of industrialist Sir Henry Pellatt and his lavish Toronto home

Was it really the butler who did it? Or maybe it was the snoopymaid? Tom Austen and his sister Liz have just arrived at Casa Loma, the famouscastle in central Toronto. There to solve a mysterious disappearance and find alost treasure, the two young detectives discover that the old castle holds moresecrets than even they had bargained for. With plenty of suspects to keep readers guessing right to theend of this gripping mystery, The Lost Treasure of Casa Loma deliversaction and adventure along with a painless hit of Canadian history.

The Lost Treasure of Casa Loma brings Tom and Liz Austen to Casa Loma, a castle right in the heart of downtown Toronto, where they must solve the mystery of Sir Nigel Brampton's disappearance, and find the treasure hidden somewhere in the castle. Appealing to children's inherent keen interest in mystery, Eric Wilson has skillfully woven accurate Canadian geographic and historic information into his writing. As such, these novels lend themselves to the integrated study of the mystery genre with Canadian geography topics in social studies, and investigation units in science. The Lost Treasure of Casa Loma provides rich material for the study of setting, characterization and plot development. This Novel Study provides a teacher and student section with a variety of activities, chapter questions, crossword, and answer key to create a well-rounded lesson plan.

It may not be true but it could be - this story of how a single white stone came to be in the wall surrounding Casa Loma, the magnificient medieval castle that stands in the middle of Toronto. John Tommy Fiddich lives in Yorkville, tends the family vegetable patch, and considers himself the "luckiest boy in town." When a hailstorm wipes out the vegetables, he goes from being the luckiest to the unluckiest. Then word gets out that Henry Pellatt, the eccentric millionaire who brought light to the city and built Casa Loma, is offering one dollar for brown stones to place in the wall going up around the castle. After trudging through the city all day with his stone, John reaches the castle only to find that rain has washed it white. But Henry Pellatt accepts the stone for his wall, rewarding John for his hard work, making him again "the luckiest boy in town." The trip through the streets of Toronto, from Yorkville to Casa Loma, makes for a book as enchanting to young and old as the fabulous castle that inspired it.

Toronto - the largest and one of the most multicultural cities in Canada - boasts an equally interesting and diverse architectural heritage. Architecture, Design and Craft in Toronto 1900-1940 tells a story of the significant changes in domestic life in the first 40 years of the twentieth century. Adopting a multidisciplinary approach to studies of residential spaces, the author examines how questions of modernity and modern living influenced not only architectural designs but also interior furnishings, modes of transportation and ways to spend leisure time. The book discusses several case studies, some of which are known both locally and internationally (for example Casa Loma), while others such as Guild of All Arts or Sherwood have been virtually unstudied by historians of visual culture. The overall goal of the book is to put Toronto on the map of scholars of urban design and architecture and to uncover previously unknown histories of design, craft and domesticity in Toronto. This study will be of interest not only to the academic community (namely architects, designers, craftspeople and scholars of these disciplines, along with social historians), but also the general public interested in local history and/or visual culture.