The Australian Royal Commission into Institutional Responses to Child Sexual Abuse (2013-2017) has given national consciousness to the problematic treatment of sexual offences in Australia’s past. Yet there has been little historical research into the policing, prosecution and punishment of those crimes. This book examines Australia’s treatment of sexual crimes in the 1950s, a decade well known for its political and social conservatism, its prudish views on morality, and its prescriptive gender roles for men and women. Fewer would know that this same decade saw soaring arrests, mounting criminal prosecutions, and intensifying public debates about how to deal with sexual offenders. Or that sexual offences on children attracted the most concentrated state attention and public concern. Sex Crimes in the Fifties uncovers this new history by drawing on transcripts of hundreds of criminal proceedings and extensive research in criminal justice archives. We examine the criminal trial itself, exploring how prosecutors, defence counsel, witnesses, juries and judges understood sexual crimes. We consider the experience of women testifying in rape trials, the prosecution of sexual crimes against children, the court’s treatment of recent immigrants, the prosecution and punishment of homosexual men, the influence of psychiatric evidence, and the increasing public debates over the ‘sex offender’. We show that the 1950s was indeed foundational to many of our contemporary beliefs about sexual crimes. This book makes a major contribution to our historical and socio-legal knowledge about sexual offences and criminal prosecution. It will be of interest to historians, criminologists, sociologists, and legal scholars as well as general readers interested in the treatment of these crimes in our past.

This first study of the legal history of sex offences in Mandate Palestine pioneers a new socio-cultural perspective on evidence.

"A remarkable life story. . . Angela Sterritt is a formidable storyteller and a passionate advocate."—Cherie Dimaline, author of The Marrow Thieves "Sterritt's story is living proof of how courageous Indigenous women are."—Tanya Talaga, author of Seven Fallen Feathers and All Our Relations Unbroken is an extraordinary work of memoir and investigative journalism focusing on missing and murdered Indigenous women and girls, written by an award-winning Gitxsan journalist who survived life on the streets against all odds. As a Gitxsan teenager navigating life on the streets, Angela Sterritt wrote in her journal to help her survive and find her place in the world. Now an acclaimed journalist, she writes for major news outlets to push for justice and to light a path for Indigenous women, girls, and survivors. In her brilliant debut, Sterritt shares her memoir alongside investigative reporting into cases of missing and murdered Indigenous women in Canada, showing how colonialism and racism led to a society where Sterritt struggled to survive as a young person, and where the lives of Indigenous women and girls are ignored and devalued. Growing up, Sterritt was steeped in the stories of her ancestors: grandparents who carried bentwood boxes of berries, hunted and trapped, and later fought for rights and title to that land. But as a vulnerable young woman, kicked out of the family home and living on the street, Sterritt inhabited places that, today, are infamous for being communities where women have gone missing or been murdered: Vancouver’s Downtown Eastside, and, later on, Northern BC’s Highway of Tears. Sterritt faced darkness: she experienced violence from partners and strangers and saw friends and community members die or go missing. But she navigated the street, group homes, and SROs to finally find her place in journalism and academic excellence at university, relying entirely on her own strength, resilience, and creativity along with the support of her ancestors and community to find her way. “She could have been me,” Sterritt acknowledges today, and her empathy for victims, survivors, and families drives her present-day investigations into the lives of missing and murdered Indigenous women. In the end, Sterritt steps into a place of power, demanding accountability from the media and the public, exposing racism, and showing that there is much work to do on the path towards understanding the truth. But most importantly, she proves that the strength and brilliance of Indigenous women is unbroken, and that together, they can build lives of joy and abundance.