This unique collection of living spirituality, rising from the depths of Celtic Christianity, represents a hidden, oral tradition of greatest power and beauty, handed down through countless generations of Hebridean peasants. During his travels, Alexander Carmichael would visit the peasants in their huts, spending hours in front of their peat fires while they "intoned in a low, recitative manner" these poems and prayers. This is the most complete anthology of Celtic oral tradition ever assembled.

The customs and spirituality of the traditional communities of the highlands and islands of Scotland were preserved in a way that has been lost to most people today. Jones describes the vital roles of women in those communities, with their customary powers of "seeing," healing, blessing, and cursing. Their hospitality, conviviality, and deep wisdom, together with their celebration of the tasks of daily life, have much to teach us today in our modern way of life.

Devotees of Irish spirituality -- and those interested in Irish Heritage will cherish this authentic collection of Celtic wisdom and prayer.

This book is a selection of modernized, paganized prayers and charms from volumes one and two of Carmichael's Carmina Gadelica, intended for use by Druids, Celtic Reconstructionists, or others interested in Celtic spiritulaity. The Carmina Gadelica is a six volume collection of prayers, charms, and folklore from Scotland assembled around 1900 by Alexander Carmichael. This book represents modernized, re-paganized versions of selected prayers and charms from the first two volumes of the series. It is designed to be used by Celtic Polytheists, Druids, or anyone else interested in Celtic Spirituality. All original deity references have been replaced with the names of Irish gods, and the language has been modernized, but otherwise the content has been kept as true to the original as possible.

Highlights from Carmina Gadelica, a 19th-century anthology of Scottish poetry, include prayers for Sundays and holidays, blessings for livestock, and chants to cure illness and ensure long life.

These powerful prayers and incantations have been collected from the remote highlands and islands of Gaelic-speaking Scotland. Many of these prayers go back to early Celtic Christianity and even further back to the prehistoric pagan roots of the Irish-Scottish world.

The Lost Words by composer James Burton takes its inspiration and text from the award-winning 'cultural phenomenon' and book of the same name by Robert Macfarlane and Jackie Morris: a book that was, in turn, a creative response to the removal of everyday nature words like acorn, newt and otter from a new edition of a widely used children's dictionary. Both the book and Burton's 32-minute work, which is written in 12 short movements for upper-voice choir in up to 3 voice parts (with either orchestral or piano accompaniment), celebrates each lost word with a beautiful poem or 'spell', magically brought to life in Burton's music. At its heart, the work delivers a powerful message about the need to close the gap between childhood and the natural world. Burton's piece was co-commissioned by the Hallé Concerts Society for the Hallé Children's Choir and the Boston Symphony Orchestra. The piano accompaniment version was premiered at the Tanglewood Festival in 2019 by the Boston Symphony Children's Choir, of which Burton is founder and director. The Hallé Children's Choir will premiere the orchestral version of the full work in Manchester, UK, post-pandemic. Vocal Score Co-commission by Boston Symphony and Hallé Concerts Society for their respective Children's Choirs. Two versions - with orchestral or with piano accompaniment. The vocal score is the same for both versions. James Burton is a composer but also a conductor. He is conductor of the Tanglewood Festival Chorus and choral director of the Boston Symphony. The book The Lost Words, exquisitely designed, has won multiple awards and is an international best-seller. The vocal score includes Jackie Morris's beautiful imagery in its cover design.