This sixth volume of the Buildings of Wales series covers two counties, Carmarthenshire and Ceredigion (formerly Cardiganshire) in the south-west of Wales. Like the same authors' Pembrokeshire, the volume covers an architecture still little known, hut encompassing a sweep from prehistoric chambered tombs to the high technology of the world's largest single-span glasshouse. The Buildings of Wales, founded by Sir Nikolaus Pevsner (1902-83), will, when complete, document and describe the architecture of the Principality in seven regional volumes, complementing the sister series on England, Ireland and Scotland. In each one a gazetteer details all buildings of significance from megalithic tombs and Iron Age hill-forts, via grand seventeenth-century houses to Victorian domestic extravaganzas, great industrial centres and monumental public buildings. The countryside is explored to reveal churches, chapels, farmhouses, and traces of early industry. The gazetteer is complemented by an introduction which explains the broader context and builds a complete picture of the country's architectural identity. Each work is illustrated by numerous maps, plans and photographs, completed by glossaries and indexes, and gives a comprehensive and illuminating survey of the buildings of Wales.

Fast-paced and fact-packed, this compendium revels in Carmarthenshire's rich heritage and what makes it special in areas such as culture, landscape, wildlife, food and sport. This whistle-stop tour through the 'Garden of Wales' covers both celebrated characters and murky pasts, taking in the county's breathtaking castles, nature reserves and famous landmarks along the way. From the county gaol and asylum to school strikes and industrial riots, this is a book you won't want to put down.

This book explores the changing relations between people, place and environment in rural Wales in the twenty first century and provides new understandings of rural geography and rural sociology.

This volume examines the location of memories and histories of popular music and its multiple pasts, exploring the different ‘places’ in which popular music can be situated, including the local physical site, the museum storeroom and exhibition space, and the digitized archive and display space made possible by the internet. Contributors from a broad range of disciplines such as archive studies, popular music studies, media and cultural studies, leisure and tourism, sociology, museum studies, communication studies, cultural geography, and social anthropology visit the specialized locus of popular music histories and heritage, offering diverse set of approaches. Popular music studies has increasingly engaged with popular music histories, exploring memory processes and considering identity, collective and cultural memory, and notions of popular culture’s heritage values, yet few accounts have spatially located such trends to focus on the spaces and places where we encounter and engender our relationship with popular music’s history and legacies. This book offers a timely re-evaluation of such sites, reinserting them into the narratives of popular music and offering new perspectives on their function and significance within the production of popular music heritage. Bringing together recent research based on extensive fieldwork from scholars of popular music studies, cultural sociology, and museum studies, alongside the new insights of practice-based considerations of current practitioners within the field of popular music heritage, this is the first collection to address the interdisciplinary interest in situating popular music histories, heritages, and pasts. The book will therefore appeal to a wide and growing academic readership focused on issues of heritage, cultural memory, and popular music, and provide a timely intervention in a field of study that is engaging scholars from across a broad spectrum of disciplinary backgrounds and theoretical perspectives.