Exile and migration played a critical role in the diffusion and development of modernism around the globe, yet have long remained largely understudied phenomena within art historiography. Focusing on the intersections of exile, artistic practice and urban space, this volume brings together contributions by international researchers committed to revising the historiography of modern art. It pays particular attention to metropolitan areas that were settled by migrant artists in the first half of the 20th century. These arrival cities developed into hubs of artistic activities and transcultural contact zones where ideas circulated, collaborations emerged, and concepts developed. Taking six major cities as a starting point – Bombay (now Mumbai), Buenos Aires, Istanbul, London, New York, and Shanghai –the authors explore how urban topographies and landscapes were modified by exiled artists re-establishing their practices in metropolises across the world. Questioning the established canon of Western modernism, Arrival Cities investigates how the migration of artists to different urban spaces impacted their work and the historiography of art. In doing so, it aims to encourage the discussion between international scholars from different research fields, such as exile studies, art history, social history, architectural history, architecture, and urban studies.

Here are sixty stories, selected and retold by fairy-tale lover Linda Rode. Smaller folks, who have the stories read to them, as well as self-readers, will derive an equal amount of pleasure from this book. It is a comprehensive collection that will open up the wide, wide world of fairy tales and other folklore to children. A short annotation at the end of each story points out the land of origin and puts the stories from Africa, Europe, the East and other parts of the world in context with one another. Fiona Moodie’s evocative illustrations are drypoint etches printed by hand and painted afterwards – an intricate process that took more than two years to complete. The enchanting results make this book an art treasure for everyone privileged enough to receive it.

This volume investigates what role colonial communities and diaspora have had in shaping the Portuguese empire and its heritage, exploring topics such as Portuguese migration to Africa, the Ismaili and the Swiss presence in Mozambique, the Goanese in East Africa, the Chinese in Brazil, and the history of the African presence in Portugal.

It is widely accepted, both inside China and in the West, that contemporary Chinese history begins with the May Fourth Movement. Vera Schwarcz's imaginative new study provides China scholars and historians with an analysis of what makes that event a turning point in the intellectual, spiritual, cultural and political life of twentieth-century China.

One hundred and nine works created between the sixteenth and the twentieth century originating from fifty institutions from ten different countries will be presented to the public at the Calouste Gulbenkian Foundation as from 26th October. The exhibition project, organized by the Calouste Gulbenkian Museum with the support of the Musée d'Orsay, is based on an historical survey of the visual representation of the Sea and seeks to identify the major themes which led to its extensive and recurrent depiction in Western Painting. The exhibition will develop the concept that provides the title to the project in six sections: 'The Age of Myths', 'The Age of Power', 'Sea and Labour', 'Storms and shipwrecks', 'The Ephemeral', and 'The Quest for Infinity'. Van Goyen, Lorrain, Turner, Constable, Friedrich, Courbet, Boudin, Manet, Monet, Signac, Fattori, Sorolla, Klee, De Chirico, Hopper are some of the eighty-nine authors present in the exhibition with works of extraordinary quality. Portuguese painting, through works by Henrique Pousão, Amadeo de Souza-Cardoso, João Vaz, Maria Helena Vieira da Silva and Menez, among others, will also contribute to this thorough and sometimes unexpected approach to such a fascinating subject. An exhibition organised by the Calouste Gulbenkian Museum with the support of Musée d'Orsay.--Gulbenkian website.

Weighted down by heavy, 19th-century camera equipment, mountaineer and photographer Sella climbed some of the world's most mysterious, perilous peaks and photographed them, many for the first time.