Capturing the Pícaro in Words discusses the framing of the transient marginals of early modern Madrid in the literary pícaro. It compares the perceptions of constables, shopkeepers, and criminals, to those of mass-produced literary representations, and argues that the literary representations "displaced" the pícaro, assigning the marginals different places in the literary texts in order to centralise the problem of urban vagrancy. The texts "spanished" the pícaro, thus establishing the image of a culturally homogenous group; and lastly, "silenced" the pícaro, under-representing the power marginals in the city derived from their knowledge of the information flows in the city.

In the spring of 1757, the Augustinian friar Leopoldo di San Pasquale was tried in Naples by the hierarchies of his own religious order on charges of financial fraud, heresy, and sexual immorality. He responded by accusing the heads of the convent of subjecting him to a series of inhuman cruelties, claiming to have been "buried alive". While waiting for a final judgment (it was pronounced seven years later, in 1764), the trial of Leopoldo di San Pasquale became a cultural phenomenon unlike any witnessed before in Naples. Cumulatively, reactions to the trial, both during and after it, broke the boundaries separating chronicle and literary fiction, engaged people’s faculties of reason and emotion, and ultimately transformed Leopoldo into a public spectacle—or what we might call today a “celebrity.” Focusing on the scandalous affair of the "buried alive", this book shows how the governing authorities in Naples managed the development of news and stories around current events through their systems of courts and bureaucracies. It also aims to demonstrate how, just as importantly, consumers played an increasing in the spread of information, as means to political empowerment. The sources analyzed call for a microhistorical analysis, as well as for an interdisciplinary discussion with media studies at its conceptual core. A Criminal Hero will appeal to students and scholars alike interested in microhistory, cultural history, media history, history of literature, social and political history, with a focus on the eighteenth century.

In Food and Feast in Premodern Outlaw Tales editors Melissa Ridley Elmes and Kristin Bovaird-Abbo gather eleven original studies examining scenes of food and feasting in premodern outlaw texts ranging from the tenth through the seventeenth centuries and forward to their cinematic adaptations. Along with fresh insights into the popular Robin Hood legend, these essays investigate the intersections of outlawry, food studies, and feasting in Old English, Middle English, and French outlaw narratives, Anglo-Scottish border ballads, early modern ballads and dramatic works, and cinematic medievalism. The range of critical and disciplinary approaches employed, including history, literary studies, cultural studies, food studies, gender studies, and film studies, highlights the inherently interdisciplinary nature of outlaw narratives. The overall volume offers an example of the ways in which examining a subject through interdisciplinary, cross-geographic and cross-temporal lenses can yield fresh insights; places canonic and well-known works in conversation with lesser-known texts to showcase the dynamic nature and cultural influence and impact of premodern outlaw tales; and presents an introductory foray into the intersection of literary and food studies in premodern contexts which will be of value and interest to specialists and a general audience, alike.

This cutting-edge volume demonstrates both the literary quality and the socio-economic importance of works on "the matter of the greenwood" over a long chronological period. These include drama texts, prose literature and novels (among them, children's literature), and poetry. Whilst some of these are anonymous, others are by acknowledged canonical writers such as William Shakespeare, Ben Jonson, and John Keats. The editors and the contributors argue that it is vitally important to include Robin Hood texts in the canon of English literary works, because of the high quality of many of these texts, and because of their significance in the development of English literature.

From Lisbon to Rome via the Gulf of Guinea and the sugar mills of northern Brazil, this book explores the strategies and practices that displaced scholars cultivated to navigate the murky waters of late Renaissance politics. By tracing the life of the Portuguese jurist-scholar Vicente Nogueira (1586–1654) across diverse social, cultural, and pol-itical spaces, Fabien Montcher reveals a world of religious conflicts and imperial rivalries. Here, European agents developed the practice of 'bibliopolitics'– using local and international systems for buying and selling books and manuscripts to foster political communication and debate, and ultimately to negotiate their survival. Bibliopolitics fostered the advent of a generation of 'mercenaries of knowledge' whose stories constitute a key part of seventeenth-century social and cultural history. This book also demonstrates their crucial role in creating an inter-national and dynamic Republic of Letters with others who helped shape early modern intellectual and political worlds.

Self-reflection is fundamental for human thinking on many levels. Philosophy has described the mind's capacity to observe itself as a core element of human existence. Political and social sciences have shown how modern democracies depend on society's ability to critically reflect on their own values and practices. And literature of all ages has proven self-reflexivity to be a crucial trait of cultural production. This volume provides the first diachronic panorama of genres, forms, and functions of literary self-reflection and their connections with social, political and philosophical discourses from the 17th century to the present. Far beyond the usual focus on postmodernist opacity, these contributions present a rich tradition of critical transparency: Literary texts that show us what is behind and beyond them.

International tragedies, national disgraces, and local dangers: reporting can magnify trauma. But how can we gain a deeper analytical understanding of episodes seemingly too immediate for detached observation by our sources or even, perhaps, by ourselves? This volume brings together a broad range of current research in Europe and abroad, regarding an issue of crucial importance for understanding past cultures and our own. Papers discuss the ramifications of media-induced anxiety and anxiety-induced mediality, engaging the humanities, including history, film studies, literature, folklore, creative writing and adjacent fields intersected by sociology, politology, psychology, & anthropology. News media here include all means of mass communication impinging on daily experience, from books to music, from the social web to films, on multiple platforms and in multiple languages across municipal, state, and regional boundaries.