In this important text, Stephen Valocchi brings capitalism back into the study of the gay and lesbian movement. He argues that to understand the collective identity, structure, strategies and goals of the movement, we need to understand the role that capitalism and the state have played. While capitalism and the state have figured centrally in earlier analyses of social movements, these important institutions and their social processes are no longer central concerns of the theory and research of social movements in the United States. Capitalisms and Gay Identities examines how the class-based inequalities and changing class structures of capitalism interact with and indeed help shape the dynamics of other types of inequalities, such as gender, sexuality, race and ethnicity. These inequalities and structures, in turn, shape the specific grievances of, and affect the nature of, stigma levied against individuals with sexual and gender nonconformity. Valocchi shows that capitalism is a dynamic system, and as it changes, the nature of the movement and the collective identity created by the movement also changes. A vital text for undergraduate and postgraduate students of sociology, social movements, LGBTQ politics and American studies, Capitalisms and Gay Identities challenges our understanding of many aspects of the gay and lesbian movement when viewed through the lens of capitalism, particularly its ability to advance the cause of sexual freedom and gender justice.

Drawing on an international range of examples, from Che Guevarra to "The Crying Game," Profit and Pleasure leads the discussion of sexuality to a consideration of material reality and the substance of men and women's everyday lives.

Recent victories for LGBT rights, especially the spread of same-sex marriage, have gone faster than most people imagined possible. Yet the accompanying rise of gay 'normality' has been disconcerting for activists with radical sympathies. Global in scope and drawing on a wide range of feminist, anti-racist and queer scholarship and analysis, Warped: Gay Normality and Queer Anti-Capitalism shows how the successive 'same-sex formations' of the past century and a half, corresponding to different phases of capitalist development, have led both to the emergence of today's 'homonormativity' and 'homonationalism' and to ongoing queer resistance. The book's second half summarises different sexual rebellions and the queer dimension of multifarious movements for social justice and transformation, seeing in them harbingers of a unified and powerful queer anti-capitalism.

The essays in this volume bring together scholars of postcolonial and lesbian and gay studies in order to examine, from multiple perspectives, the narratives that have sought to define globalization.

Homo Economics is the first honest account of the tense relationship between gay people and the economy. This groundbreaking collection brings together a variety of voices from the worlds of journalism, activism, academia, the arts, and public policy to address issues including the recent economic history of the gay community, the community's response to its changing economic circumstances, and the risks inherent in a narrow definition of liberation.

In 1951, a new type of publication appeared on newsstands—the physique magazine produced by and for gay men. For many men growing up in the 1950s and 1960s, these magazines and their images and illustrations of nearly naked men, as well as articles, letters from readers, and advertisements, served as an initiation into gay culture. The publishers behind them were part of a wider world of “physique entrepreneurs”: men as well as women who ran photography studios, mail-order catalogs, pen-pal services, book clubs, and niche advertising for gay audiences. Such businesses have often been seen as peripheral to the gay political movement. In this book, David K. Johnson shows how gay commerce was not a byproduct but rather an important catalyst for the gay rights movement. Offering a vivid look into the lives of physique entrepreneurs and their customers, and presenting a wealth of illustrations, Buying Gay explores the connections—and tensions—between the market and the movement. With circulation rates many times higher than the openly political “homophile” magazines, physique magazines were the largest gay media outlets of their time. This network of producers and consumers helped foster a gay community and upend censorship laws, paving the way for open expression. Physique entrepreneurs were at the center of legal struggles, especially against the U.S. Post Office, including the court victory that allowed full-frontal male nudity and open homoeroticism. Buying Gay reconceives the history of the gay rights movement and shows how consumer culture helped create community and a site for resistance.

This study uses critical discourse analysis to conduct an examination of the reality television program Queer Eye. The goal is to help understand the manner in which the representations of queer culture in the show reinforce the binaries of sex, gender and sexuality. By investigating the evolution of Queer Eye this study provides insights into American popular culture’s understanding and depiction of sexual difference and evidences the strong link between these representations and the commercial interests of the producers. In the show Queer Eye, the male guests sell access to their lives for a makeover and in the process they are indoctrinated into new patterns of consumption. The identity of both the five main characters and the guest character is represented as a reflection of their aesthetic choices, and audiences are exposed to numerous product placements and advertising messages. In encouraging materialism, the show transforms the term queer into a commodity sign and redefines masculinity as represented through wealth and accumulation. Moreover, consistent with the stereotypical representation of gay males in American culture the queerness of the Fab is depicted as asexual and a form of aestheticism.