In this first volume of Capital, Race and Space, Richard Saull offers an international historical sociology of the European far-right from its origins in the 1848 revolutions to fascism. Providing a distinct and original explanation of the evolution and mutations of the far-right Saull emphasizes its international causal dimensions through the prism of uneven and combined development. Focusing on the twin (political and economic) transformations that dominated the second half of the nineteenth century the book discusses the connections between class, race, and geography in the evolution of far-right movements and how the crises in the development of a liberal world order were central to the advance of the far-right ultimately helping to produce fascism.

The subprime crash of 2008 revealed a fragile, unjust, and unsustainable economy built on retail consumption, low-wage jobs, and fictitious capital. Economic crisis, finance capital, and global commodity chains transformed Southern California just as Latinxs and immigrants were turning California into a majority-nonwhite state. In Inland Shift, Juan D. De Lara uses the growth of Southern California’s logistics economy, which controls the movement of goods, to examine how modern capitalism was shaped by and helped to transform the region’s geographies of race and class. While logistics provided a roadmap for capital and the state to transform Southern California, it also created pockets of resistance among labor, community, and environmental groups who argued that commodity distribution exposed them to economic and environmental precarity.

In this second volume of Capital, Race and Space, Richard Saull offers an international historical sociology of the Western far-right from the end of World War II to its contemporary manifestations in Trumpism and Brexit. Focusing on its international causal dimensions, Saull draws on the theory of uneven and combined development to provide a distinct and original explanation of the evolution and mutations of the ‘post-fascist’ far-right. Despite the transformed geopolitical context of capitalist development after 1945 – with decolonization and the end inter-imperial rivalry – the far-right continued to be intimately connected to the consolidation of the anti-communist liberal order. Thereafter, the far-right also formed an important, if contradictory, element within the neoliberal historical bloc that emerged in the 1980s and has been the main ideo-political beneficiary of the 2007-8 neoliberal crisis.

While Washington, D.C., is still often referred to as "Chocolate City," it has undergone significant demographic, political, and economic change in the last decade. In D.C., no place represents this shift better than the H Street corridor. In this book, Brandi Thompson Summers documents D.C.'s shift to a "post-chocolate" cosmopolitan metropolis by charting H Street's economic and racial developments. In doing so, she offers a theoretical framework for understanding how blackness is aestheticized and deployed to organize landscapes and raise capital. Summers focuses on the continuing significance of blackness in a place like the nation's capital, how blackness contributes to our understanding of contemporary urbanization, and how it laid an important foundation for how Black people have been thought to exist in cities. Summers also analyzes how blackness—as a representation of diversity—is marketed to sell a progressive, "cool," and authentic experience of being in and moving through an urban center. Using a mix of participant observation, visual and media analysis, interviews, and archival research, Summers shows how blackness has become a prized and lucrative aesthetic that often excludes D.C.'s Black residents.

For close to a century, Harlem has been the iconic black neighborhood widely seen as the heart of African American life and culture, both celebrated as the vanguard of black self-determination and lamented as the face of segregation. But with Harlem’s demographic, physical, and commercial landscapes rapidly changing, the neighborhood’s status as a setting and symbol of black political and cultural life looks uncertain. As debate swirls around Harlem’s present and future, Race Capital? revisits a century of the area’s history, culture, and imagery, exploring how and why it achieved its distinctiveness and significance and offering new accounts of Harlem’s evolving symbolic power. In this book, leading scholars consider crucial aspects of Harlem’s social, political, and intellectual history; its artistic, cultural, and economic life; and its representation across an array of media and genres. Together they reveal a community at once local and transnational, coalescing and conflicted; one that articulated new visions of a cosmopolitan black modernity while clashing over distinctions of ethnicity, gender, class, and sexuality. Topics explored include Harlem as a literary phenomenon; recent critiques of Harlem exceptionalism; gambling and black business history; the neighborhood’s transnational character; its importance in the black freedom struggle; black queer spaces; and public policy and neighborhood change in historical context. Spanning a century, from the emergence of the Harlem Renaissance to present-day controversies over gentrification, Race Capital? models new Harlem scholarship that interrogates exceptionalism while taking seriously the importance of place and locality, offering vistas onto new directions for African American and diasporic studies.

In this first volume of Capital, Race and Space, Richard Saull offers an international historical sociology of the European far-right from its origins in the 1848 revolutions to fascism. Providing a distinct and original explanation of the evolution and mutations of the far-right, Saull emphasizes its international causal dimensions through the prism of uneven and combined development. Focusing on the twin (political and economic) transformations that dominated the second half of the nineteenth century, the book discusses the connections between class, race, and geography in the evolution of far-right movements and how the crises in the development of a liberal world order were central to the advance of the far-right ultimately helping to produce fascism.

2020 Barnard Hewitt Award, honorable mention Washington D.C.’s Arena Stage was the first professional regional theatre in the nation’s capital to welcome a racially integrated audience; the first to perform behind the Iron Curtain; and the first to win the Tony Award for best regional theatre. This behind-the-scenes look at one of the leading theatres in the United States shows how key financial and artistic decisions were made, using a range of archival materials such as letters and photographs as well as interviews with artists and administrators. Close-ups of major productions from The Great White Hope to Oklahoma! illustrate how Arena Stage navigated cultural trends. More than a chronicle, America in the Round is a critical history that reveals how far the theatre could go with its budget and racially liberal politics, and how Arena both disputed and duplicated systems of power. With an innovative “in the round” approach, the narrative simulates sitting in different parts of the arena space to see the theatre through different lenses—economics, racial dynamics, and American identity.