The South African novel of identity that "deserves a wide audience on a par with Nadine Gordimer."

Progress is a contradictory term, one that inherently means an improvement of luxury and an advancement of technology, yet usually at the expense of a community's identity, traditions, and history. Though many buildings survived Civil War skirmishes and Northern occupation during Reconstruction, these same structures did not escape the plans of ambitious entrepreneurs and thus disappeared from Wilmingtone(tm)s landscape, only to be replaced, over time, by shopping plazas and nationally recognizable commercial facades. Cape Fear Lost celebrates places that have vanished from presentday Wilmington. In this volume of more than 200 photographs, you will be able to explore the Wilmington of a bygone era, one punctuated by unpaved tree-lined streets and architecturally diverse dwellings. As you thumb through these pages, you will experience firsthand the beauty of many former mansions scattered throughout the downtown area, familiar churches, civic buildings and schools that once dotted the cityscape, the many businesses that utilized the pedestrian, horse-and-wagon, and shipping traffic along Market Street, and the transformation of Wrightsville Beach and Carolina Beach from humble summer bungalows into major tourist retreats. These varied scenes allow you an extraordinary insight into this coastal communitye(tm)s changing character over the past century and a half.

Few would imagine that the land currently occupied by the Nature Conservancy's Cape May Migratory Bird Refuge, or "the Meadows, "? was once the picturesque Jersey Shore town of South Cape May. By the early twentieth century, a striking hotel and homes designed by renowned Victorian-era architects dotted the landscape. Residents and visitors alike spotted rumrunners racing across the beachfront during Prohibition and endured World War II with German submarines lurking just offshore. But by 1954, barely a trace of the town remained except for about twenty of the original houses, which were moved a mile away. Join one of the town's last residents, Joseph Burcher, as he chronicles life in South Cape May before the angry Atlantic swallowed this serene town.

From aerial survey to zoology, Part I of this two-part encyclopedia covers all aspects of underwater archeology, treasure hunting and salvaging. For example, entries are included for different types of artifacts, notable treasure hunters, the various salvaging equipment, and techniques in mapping and excavating. Part II covers the shipwrecks themselves, dividing them into 13 geographical categories. Beginning with the northernmost category (Canada) and ending with the southernmost (South America), every known shipwreck--both identified and unidentified--receives an entry in alphabetical order under its appropriate geographical category. Entries are by name, such as Andrea Gail, Titanic, and Queen Ann's Revenge. Unidentified is used when a shipwreck's name remains unknown. Entries give the nationality (e.g., Spanish, British, American), type (schooner, frigate, brig are three), function (examples: slave transportation, piracy, fishing), location and history of the shipwreck.

How to be a hero when you’re feeling anything but super Despite all the superhero hype, the problems and pain in our world aren’t going away. In fact, it often feels like the threats just keep coming. But the good news is that God has placed you here for such a time as this. And the even better news? You don’t have to get rid of your anxiety, debt, speech impediment, extra weight, health issues, disability—or any other weakness—to be used by God. What this world actually needs is less-than-super people making small but significant differences in their own corners of the world. Through inspiring stories from the Bible and his own life, Dan Stanford demonstrates that with God availability is more important than ability. Losing the Cape is an invitation to start making the world a better place through your ordinary, everyday presence.

The South African novel of identity that "deserves a wide audience on a par with Nadine Gordimer."