Robert Schultz provides a collection of 13 world-famous pieces for piano. These upper-intermediate original pieces and transcriptions will delight every advancing pianist. Included are such favorites as Canon in D * Nessum Dorma * O Mio Babbino Caro * Moonlight Sonata * Clair de Lune * Fr Elise and seven others.

Robert Schultz has selected and arranged thirteen great jazz hits for piano solo with complete lyrics and chords, ranging in difficulty from intermediate to more advanced. This is an essential edition for all jazz and professional pianists, and great for the advancing student. Titles include: Every Time We Say Goodbye * Moonlight in Vermont * More Than You Know * My Foolish Heart * Skylark * Someone to Watch Over Me and many more. Featured composers include George Gershwin, Cole Porter, Dizzy Gillespie, Hoagy Carmichael, and others.

Six classical piano solos in their original form and seven advanced piano transcriptions, including a new piano solo arrangement of the main theme from the ever-popular Rhapsody in Blue. This superb collection of classical hits is certain to appeal to all! Titles include: Sleeping Beauty Waltz (Tchaikovsky) * Air for the G String (J.S. Bach) * Intermezzo from Cavalleria Rusticana (Mascagni) * Funeral March (Chopin) * Rondo Alla Turca (W.A. Mozart) and more.

One of our top-selling sheet arrangements of this famous piece. Canon in D is the most famous piece of music by Johann Pachelbel, written in or around 1680 as a piece of chamber music for three violins and basso continuo. Robert Schultz's faithful setting is for the advanced pianist. Tasteful use of arpeggios, rolled chords, and dynamics brings out a rich, sonorous sound that evokes the original string arrangement. Perfect for weddings, recitals, or any other special occasion.

Canonisation is fundamental to the sustainability of cultures. This volume is meant as a (theoretical) exploration of the process, taking Eurasian societies from roughly the first millennium BCE (Babylonian, Assyrian, Persian, Greek, Egyptian, Jewish and Roman) as case studies. It focuses on canonisation as a form of cultural formation, asking why and how canonisation works in this particular way and explaining the importance of the first millennium BCE for these question and vice versa. As a result of this focus, notions like anchoring, cultural memory, embedding and innovation play an important role throughout the book.