The Cambridge Family Chronicle Bible has been designed and produced as a Bible to enjoy for generations. It combines the best typographic design with the highest standards of printing and bookbinding. The majestic text of the King James Bible is presented in a typesetting inspired by the legendary Baskerville Bible, and the words of Scripture are brought to life with 221 engravings by 19th century illustrator Gustave Doré - painstakingly reproduced for this edition from the original printings. Drawing on the glories of the past, but looking to the future too, the Bible incorporates a unique 14-page family chronicle, allowing owners to record up to six generations of family history and tell their family story for years to come. The Bible is printed on paper selected for its strength and durability and two of Doré's impressive illustrations are enlarged on the endpapers to highlight their intricate detail. This cloth-bound Bible has a contemporary look, with dramatic foil blocking showing 'fire and water' detail from one of Doré's woodcuts. The volume is protected by an attractive blue and orange slipcase.

The Cambridge Family Chronicle Bible has been designed and produced as a Bible to enjoy for generations. It combines the best typographic design with the highest standards of printing and bookbinding. The majestic text of the King James Bible is presented in a typesetting inspired by the legendary Baskerville Bible, and the words of Scripture are brought to life with 221 engravings by 19th century illustrator Gustave Doré - painstakingly reproduced for this edition from the original printings. Drawing on the glories of the past, but looking to the future too, the Bible incorporates a unique 14-page family chronicle, allowing owners to record up to six generations of family history and tell their family story for years to come. The Bible is printed on paper selected for its strength and durability and features endpapers mapping the Biblical world. The binding pays tribute to traditional bookbinding style, with gold blocking on the cover, and raised spine hubs. It has two deep red ribbons and gilt edges and comes presented in a lid and tray box decorated with one of Doré's impressive illustrations.

Gustave Flaubert (1821–1880) is widely regarded as one of the world’s greatest novelists, and his work continues to influence and inspire contemporary writers, artists, and musicians. Flaubert was determined from a young age to become a writer and achieved sudden fame in 1857 when his first published novel, Madame Bovary, resulted in an unsuccessful prosecution for obscenity. In his subsequent work—including the carefully researched Carthaginian novel, Salammbô, the contemporary Parisian novel Sentimental Education, the obsessively reworked Temptation of St. Anthony, and the unfinished comic masterpiece, Bouvard and Pécuchet—Flaubert continued to reflect on the human condition and on the rapidly changing society of his time, while constantly striving for new forms of literary and stylistic perfection. In this new critical biography, Anne Green draws on Flaubert’s voluminous correspondence and unpublished manuscripts to reveal the extent to which his writing was haunted by traumatic early experiences. She weaves discussion of his work into an intimate account of Flaubert’s life and volatile character, following him from his childhood in Rouen to his student days in Paris, from his extensive travels through North Africa to the imperial court of Napoleon III. Green pays special attention to Flaubert’s close family relationships, love-affairs, and friendships with literary figures, including Turgenev, Sand, Zola, Maupassant, and the Goncourt brothers. This concise and informative biography is a must-read for lovers of literature everywhere.

This heirloom quality Family Bible is affordable for all households. Design features include a detailed engraved decorative border with gold foil accents on the front, back and spine. Inside, you'll find classic illustrations, reader-friendly subheadings, a double-column format, a helpful Scripture verse finder, a One-year Bible reading plan and 14-point type.

V.I:Aach-Apocalyptic lit.--V.2: Apocrypha-Benash--V.3:Bencemero-Chazanuth--V.4:Chazars-Dreyfus--V.5: Dreyfus-Brisac-Goat--V.6: God-Istria--V.7:Italy-Leon--V.8:Leon-Moravia--V.9:Morawczyk-Philippson--V.10:Philippson-Samoscz--V.11:Samson-Talmid--V.12: Talmud-Zweifel.

In his pathbreaking Israel in Egypt James K. Hoffmeier sought to refute the claims of scholars who doubt the historical accuracy of the biblical account of the Israelite sojourn in Egypt. Analyzing a wealth of textual, archaeological, and geographical evidence, he put forth a thorough defense of the biblical tradition. Hoffmeier now turns his attention to the Wilderness narratives of Exodus, Leviticus, and Numbers. As director of the North Sinai Archaeological Project, Hoffmeier has led several excavations that have uncovered important new evidence supporting the Wilderness narratives, including a major New Kingdom fort at Tell el-Borg that was occupied during the Israelite exodus. Hoffmeier employs these archaeological findings to shed new light on the route of the exodus from Egypt. He also investigates the location of Mount Sinai, and offers a rebuttal to those who have sought to locate it in northern Arabia and not in the Sinai peninsula as traditionally thought. Hoffmeier addresses how and when the Israelites could have lived in Sinai, as well as whether it would have been possible for Moses to write down the law received at Mount Sinai. Building on the new evidence for the Israelite sojourn in Egypt, Hoffmeier explores the Egyptian influence on the Wilderness tradition. For example, he finds Egyptian elements in Israelite religious practices, including the use of the tabernacle, and points to a significant number of Egyptian personal names among the generation of the exodus. The origin of Israel is a subject of much debate and the wilderness tradition has been marginalized by those who challenge its credibility. In Ancient Israel in Sinai, Hoffmeier brings the Wilderness tradition to the forefront and makes a case for its authenticity based on solid evidence and intelligent analysis.

‘Ridiculously enjoyable’ Tom Holland A Book of the Year for The Times, Mail on Sunday and BBC History Magazine The ‘Mermaid of Morwenstow’ excommunicated a cat for mousing on a Sunday. When he was late for a service, Bishop Lancelot Fleming commandeered a Navy helicopter. ‘Mad Jack’ swapped his surplice for leopard skin and insisted on being carried around in a coffin. And then there was the man who, like Noah’s evil twin, tried to eat one of each of God’s creatures… In spite of all this they saw the church as their true calling. These portraits reveal the Anglican church in all its colourful madness.