Too often we lean into the wrong things and burn out. We buy society's lie that our worth is our work, our value is our vocation, our calling is our career. Confusing what we do with who we are wreaks havoc on our bodies, our souls, and our relationships. Called Out is a deeply personal book from Paula Faris, the beloved on-air reporter for ABC News and former co-host of The View. She shares her journey through conquering fears that nearly kept her from the high-profile, high-stakes world of broadcast journalism, and then the dangers when that world threatened to consume her. She burned out and faced public humiliation, physical breakdowns, and family struggles. But along the way, she heard God gently calling her out of that dangerous place. As she struggled to find who she was outside of what she did, she discovered her true purpose and true calling. Today, she is the host of ABC's popular podcast Journeys of Faith. Written with passion and conviction, this book reflects on what it truly means to be called, how to move past the fear holding you back, and how to walk in God's path for you.

A fast-paced, debut tragicomedy of manners written in verse about queer (mostly trans) women that is funny, literary, philosophical, witty, sometimes bitchy and sometimes heartbreaking. Aashvi, Kate, Bette, Keiko, Gaia, and Day are six queer, mostly trans women surviving and thriving in Brooklyn. Visiting all the fixtures of fashionable 21st century queer society—picnics, literary readings, health conferences, drag shows, punk houses, community accountability processes, Grindr hookups—The Call-Out also engages with pressing questions around economic precarity, sexual consent, racism in queer spaces, and feminist theory, in the service of asking what it takes to build, or destroy, a marginalized community. A novel written in verse, The Call-Out recalls the Russian literary classic Eugene Onegin, but instead of 19th century Russian aristocrats crudely solved their disagreements with pistols, the participants in this rhyming drama have developed a more refined weapon, the online call-out, a cancel-culture staple. In this passionate tangle of modern relationships, where a barbed tweet can be as dangerous as the narrator’s bon-mots, Cat Fitzpatrick has fashioned a modern novel of manners that gives readers access to a vibrant cultural underground.

Call-out is the definitive collection of tales about early mountain rescue in the Highlands of Scotland from Hamish MacInnes – Everest pioneer and arguably the most famous Scottish mountaineer of the twentieth century. In the late 1960s, MacInnes led the Glencoe Mountain Rescue team and together they developed innovative techniques and equipment in order to save lives – often risking their own in the process – whether night or day, and always at a moment's notice. He was a central figure in the rescue during the 1963 New Year tragedy in the Cuillins on the Isle of Skye, and led groundbreaking rescues on Buichaille Etive Mor, Ben Nevis, Bidean nam Bian and many other legendary Scottish mountains. At the heart of the stories in Call-out are the unique characters in the team and wider Glencoe community who demonstrate faultless camaraderie, and – by virtue of MacInnes's engaging storytelling – inject an almost comical slant into these sometimes-grim accounts of misadventure in the mountains. The dark allure of the frozen Scottish peaks provides a foreboding backdrop against which we learn of Hamish MacInnes's concern for human life under even the most extreme conditions. Call-out offers an inspiring portrayal of responsible and dedicated mountaineering practice, which is as pertinent today as ever.

A powerful first collection of poems which bear witness to difficult lives in Latin America, in the mining towns of the USA, in prairie families ruined by hardship and losses and incest. Pamela Porter's poetry has both gravitas and grace, it speaks about important matters beyond the personal and domestic concerns of the writer herself, yet many of the poems fall within the personal narrative tradition. These poems are earthy and metaphysical, personal and universal, geographically and historically diverse. The details are beautifully, often hauntingly, realized. Porter keeps her own sense of outrage in check, creating startling and invasive images and refusing to trespass by bludgeoning or imposing a response on the reader. There's an undercurrent of hope, of confidence in individuals' capacity to survive and make meaningful lives in the wake of tragedy. We come to the end of the book disturbed, deeply stirred, but not devastated.

"The Battle of New Market, though a smaller conflict, represented a crucial moment in the Union's offensive movements in the spring of 1864 and became the last major Confederate victory in the Shenandoah Valley. The results of the battle between Franz Sigel and John C. Breckinridge - with the Virginia Military Institute Cadets pushing the conflict in the Confederates' favor - altered the campaigns of Ulysses S. Grant and Robert E. Lee and the course of the American Civil War in Virginia."--Provided by publisher.

Cancel culture addresses real harm...and sometimes causes more. It’s time to think this through. “Cancel” or “call-out” culture is a source of much tension and debate in American society. The infamous “Harper’s Letter,” signed by public intellectuals of both the left and right, sought to settle the matter and only caused greater division. Originating as a way for marginalized and disempowered people to take down more powerful abusers, often with the help of social media, cancel culture is seen by some as having gone “too far.” Adrienne maree brown, a respected cultural voice and a professional mediator, reframes the discussion for us, in a way that points to possible ways beyond the impasse. Most critiques of cancel culture come from outside the milieus that produce it, sometimes from even from its targets. Brown explores the question from a Black, queer, and feminist viewpoint that gently asks, how well does this practice serve us? Does it prefigure the sort of world we want to live in? And, if it doesn’t, how do we seek accountability and redress for harm in a way that reflects our values?