Winner of New Diorama, Underbelly and Methuen Drama's Untapped Award 2022 A new Caligari comes to life – accompanied by a five-piece band. Embracing the long shadows and broad brushstrokes of German expressionism, Caligari exposes parallels between post-war Weimar and the UK today: an ever-widening class divide, a subconscious need for a tyrant, and an unwillingness to rebel against deranged authority. The doctor's victims take centre stage in this minty-fresh take on the German horror cult-classic, written by Georgie Bailey and presented by Off West End Award-winning Chewboy Productions. This edition was published to coincide with the production at Underbelly Cowgate, Edinburgh, in August 2022.

From Medievalism to Early-Modernism: Adapting the English Past is a collection of essays that both analyses the historical and cultural medieval and early modern past, and engages with the medievalism and early-modernism—a new term introduced in this collection—present in contemporary popular culture. By focusing on often overlooked uses of the past in contemporary culture—such as the allusions to John Webster’s The Duchess of Malfi (1623) in J.K. Rowling’s Harry Potter books, and the impact of intertextual references and internet fandom on the BBC’s The Hollow Crown: The Wars of the Roses—the contributors illustrate how cinematic, televisual, artistic, and literary depictions of the historical and cultural past not only re-purpose the past in varying ways, but also build on a history of adaptations that audiences have come to know and expect. From Medievalism to Early-Modernism: Adapting the English Past analyses the way that the medieval and early modern periods are used in modern adaptations, and how these adaptations both reflect contemporary concerns, and engage with a history of intertextuality and intervisuality.

Documents the work of the often neglected director of the German silent film classic, The Cabinet of Dr. Caligari. The chapters move chronologically through the different periods of Wiene's career, summarizing and critiquing 90 films he either directed or wrote. Originally published in German, the book includes black and white photographs and a filmography. Annotation copyrighted by Book News, Inc., Portland, OR

The Most Trusted Guide to the World of Children's Publishing! If you're a writer or an illustrator for young readers and your goal is to get published, Children's Writer's & Illustrator's Market 2018 is just the resource you need. Now in its 30th edition, CWIM contains more than 500 listings for children's book markets, including publishers, literary agents, magazines, contests, and more, making it the definitive guide for anyone seeking to write or illustrate for kids and young adults. These listings also include helpful information about who to contact, how to properly submit your work, and what categories each market accepts. Inside, you'll also find: • Interviews with accomplished authors, such as Kwame Alexander, Dandi Daley Mackall, and Kenneth Oppel • Advice from 21 debut authors of picture books, middle-grade fiction, and young adult fiction sharing their personal journeys to success and publication • Roundtable discussions with agents on what they're currently seeking, interviews with authors who published with small presses, and informative articles on the craft of writing • A one-year subscription to the children's publishing content on WritersMarket.com (print version only) + Includes exclusive access to the webinar "How to Query Agents for Children's Picture Books, Middle-Grade, and Young Adult Fiction" by agent Jennifer De Chiara of the De Chiara Literary Agency

”The terror film, with puzzling, disturbing, multivalent images, often leads us into regions that are strange, disorienting, yet somehow familiar; and for all the crude and melodramatic and morally questionable forms in which we so often encounter it, it does speak of something true and important, and offers us encounters with hidden aspects of ourselves and our world.” So writes S. S. Prawer in his concise and penetrating study of the horror film—from The Cabinet of Dr. Caligari and Frankenstein, to Invasion of the Body Snatchers and The Omen. After a brief history of the horror genre in film, Prawer offers detailed analyses of specific sequences from various films, such as Murnau’s Nosferatu. He discusses continuities between literary and cinematic tales, and shows what happens when one is transformed into the other. Unpatronizing and scholarly, Prawer draws on a wide range of sources in order to better situate a genre that is both enormously popular with contemporary audiences and of increasing critical importance.