California’s Girl, Book Two is the continuing saga of a young woman growing up on the beach during the early 1970s. It is told through journal entries, short stories, poetry, and associated recollections. It offers a deeply personal glimpse into the female experience within the unique beach culture of Southern California. On the cusp of womanhood, amid the hot sand and cool ocean, she searches for personal identity, lasting love, and the meaning of life. As she struggles to reconcile her childhood fantasies with the bittersweet reality of life and human entanglements, she discovers a deep connection to the natural world. Nature becomes her sanctuary, inspiring and nourishing her soul while teaching valuable lessons of self-worth and independence.

California's Girl is the story of a young girl growing up on the beach in Southern California during the 1960s and '70s. It is told through journal entries, short stories, poetry, and associated recollections. It begins with an idyllic childhood in a small beach town on the California coast. It details the lifestyle unique to the beach culture. A timeless span of innocence, bursting with the joy of life, surrounded by sand and sea. Adolescence arrives during an era of rebellion and social upheaval. Through the high school years, lessons are learned, and the complexity of life is examined. Reality begins to erode the fantasies of childhood. The first kiss, the first heartbreak, the loss of innocence, and the emergence of personal identity are seen through the eyes of a young girl. The beginning of one life's journey, when choices are made that will ultimately affect the unforeseeable future. A young girl does the best she can, makes mistakes, and savors the triumphsa microcosm of the human experience.

The Penal Code of California forms the basis for the application of criminal law within the state of California. It was originally enacted in 1872 as one of the original four California Codes, and has been substantially amended and revised since then. This book contains the following parts: Part 3 - Of Imprisonment and the Death Penalty, Part 4 - Prevention of Crimes and Apprehension of Criminals, Part 5 - Peace Officers' Memorial, Part 6 - Control of Deadly Weapons

In 1970, Judy Chicago and fifteen students founded the groundbreaking Feminist Art Program (FAP) at Fresno State. Drawing upon the consciousness-raising techniques of the women's liberation movement, they created shocking new art forms depicting female experiences. Collaborative work and performance art – including the famous "Cunt Cheerleaders" – were program hallmarks. Moving to Los Angeles, the FAP produced the first major feminist art installation, Womanhouse (1972). Augmented by thirty-seven illustrations and color plates, this interdisciplinary collection of essays by artists and scholars, many of whom were eye witnesses to landmark events, relates how feminists produced vibrant bodies of art in Fresno and other locales where similar collaborations flourished. Articles on topics such as African American artists in New York and Los Angeles, San Francisco’s Las Mujeres Muralistas and Asian American Women Artists Association, and exhibitions in Taiwan and Italy showcase the artistic trajectories that destabilized traditional theories and practices and reshaped the art world. An engaging editor’s introduction explains how feminist art emerged within the powerful women’s movement that transformed America. Entering the Picture is an exciting collection about the provocative contributions of feminists to American art.

Vols. for 1971- include annual reports and statistical summaries.