Titles bound back to back in inverted form.

Shortlisted for the 2018 Ondaatje Prize Shortlisted for the Stanford Dolman Travel Book of the Year A masterful and entirely fresh portrait of great hopes and dashed dreams in a mythical city from a major new literary voice. Everything that could possibly be wrong with a city was wrong with Calcutta. When Kushanava Choudhury arrived in New Jersey at the age of twelve, he had already migrated halfway around the world four times. After graduating from Princeton, he moved back to the world which his immigrant parents had abandoned, to a city built between a river and a swamp, where the moisture-drenched air swarms with mosquitos after sundown. Once the capital of the British Raj, and then India's industrial and cultural hub, by 2001 Calcutta was clearly past its prime. Why, his relatives beseeched him, had he returned? Surely, he could have moved to Delhi, Bombay or Bangalore, where a new Golden Age of consumption was being born. Yet fifteen million people still lived in Calcutta. Working for the Statesman, its leading English newspaper, Kushanava Choudhury found the streets of his childhood unchanged by time. Shouting hawkers still overran the footpaths, fish-sellers squatted on bazaar floors; politics still meant barricades and bus burnings, while Communist ministers travelled in motorcades. Sifting through the chaos for the stories that never make the papers, Kushanava Choudhury paints a soulful, compelling portrait of the everyday lives that make Calcutta. Written with humanity, wit and insight, The Epic City is an unforgettable depiction of an era, and a city which is a world unto itself.

This wandering odyssey through the city's pullulating backstreets 0and serpentine byways reveals a Calcutta rarely glimpsed by western travellers. Arranged as a series of journeys on foot through the older quarters of the city seldom trod by outsiders, the narrative chronicles the topography, social and historical background and the vibrant street life and characters which give Calcutta its uniqueness. Complete with detailed directions and street maps for the areas explored, the book provides a storehouse of indispensable information for the intrepid traveller.

Becker is a British traveler in trouble. Madhurima is a rising star police officer. In these three explosive tales, the two join forces to investigate the city's crooked high society. On the way, they take on deluded would-be messiahs in search of Mother Teresa's stolen millions, encounter fanatics, circus freaks and cannibals, fall in and out of love and pay homage to one of the world's most beautiful and toughest cities. Amidst passion, murder and mayhem, is there room for two lovers driven by justice and compassion? Tom Vater's 'Kolkata Noir' is a riveting crime fiction cycle of three novellas set in the past, the present and the future.

The award-winning author Amit Chaudhuri has been widely praised for the beauty and subtle power of his writing and for the ways in which he makes “place” as complex a character as his men and women. Now he brings these gifts to a spellbinding amalgam of memoir, reportage, and history in this intimate, luminous portrait of Calcutta. Chaudhuri guides us through the city where he was born, the home he loved as a child, the setting of his acclaimed novels—a place he now finds captivating for all the ways it has, and, perhaps more powerfully, has not, changed. He shows us a city relatively untouched by the currents of globalization but possessed of a “self-renewing way of seeing, of inhabiting space, of apprehending life.” He takes us along vibrant avenues and derelict alleyways; introduces us to intellectuals, Marxists, members of the declining haute bourgeoisie, street vendors, domestic workers; brings to life the city’s sounds and smells, its architecture, its traditional shops and restaurants, new malls and hotels. And, using the historic elections of 2011 as a fulcrum, Chaudhuri looks back to the nineteenth century, when the city burst with a new vitality, and toward the politics of the present, finding a city “still not recovered from history” yet possessed of a singular modernity. Chaudhuri observes and writes about Calcutta with rare candor and clarity, making graspable the complex, ultimately ineluctable reasons for his passionate attachment to the place and its people.