The remarkable story of a thriving colony of painters and print makers in southern Indiana in the early twentieth century.

C. Curry Bohm was a talented and highly regarded landscape artist who is most commonly associated with Brown County, Indiana. Most consider him a leader of the second generation of Brown County painters. However, Curry's career and success expanded well beyond the borders of Brown County. The artist was born in Nashville, Tennessee in 1894. Much of his artistic training was received in Chicago. The Illinois metropolis served as an important focus for his career development and an outlet for exhibitions until the 1950s. Curry permanently moved to Brown County in 1930. Many of his works during the first half of his career portrayed landscapes painted in the Smoky Mountains of Eastern Tennessee. Later, harbor and marine landscapes painted along coastal sites in Massachusetts and Maine provided new challenges and satisfaction for him over the second half of his career. Curry garnered success in all these artistic arenas. He won major awards at the Chicago Palette & Club in the early 1930s. He was awarded multiple exhibition prizes in East Coast shows during the 1950s. His Smoky Mountain and East Coast landscapes were major painting subjects for his showing in the Indiana Hoosier Salon exhibitions, from 1929-1967, where he won over twenty-five awards, including two Best in Show Awards. Curry Bohm, thus, became one of the leading painters in the Indiana arts community during the 20th century.

“A visual testament to the quiet, past-haunted beauty of the Indiana environment, both natural and man-made.” —Bloom The work of T. C. Steele, William Forsyth, J. Ottis Adams, Otto Stark, and Richard Gruelle, known collectively as the Hoosier Group, established plein air (“in the open air”) painting as a major art form in Indiana. The vitality of this style is represented in Painting Indiana III: Heritage of Place, which includes one hundred juried works by current Indiana plein air artists, along with paintings by the Hoosier Group, all featuring notable Indiana landmarks. This richly illustrated book will delight Hoosiers and art lovers around the world.

Indianapolis Monthly is the Circle City’s essential chronicle and guide, an indispensable authority on what’s new and what’s news. Through coverage of politics, crime, dining, style, business, sports, and arts and entertainment, each issue offers compelling narrative stories and lively, urbane coverage of Indy’s cultural landscape.

For much of Indiana's history, its distinctiveness has lain in its typicality. It has embodied--and continues to embody--values and behavior that are specifically American. In the late eighteenth century Indiana was the heart of the Old Northwest, a vast area conceived as a preserve where independent farmers and their families could live free from the shadow of slavery. During the Civil War, the state found itself divided, with Indianans' allegiances split between Southern partisans and zealous Yankees. Throughout this period, the workshops and farms of Indiana continued to provide the growing nation with food and other necessities. Countless small towns prospered; Indianapolis grew, and Gary, on the southern shore of Lake Michigan, became synonymous with steel production, symbolizing the industrial might of America. Readers all over the country embraced the writings of Indianans such as James Whitcomb Riley and Booth Tarkington, while Indiana's painters disseminated iconic and idyllic images of America. This comprehensive history traces the history of the Hoosier state, revealing its most significant contributions to the nation as a whole, while also exploring the unique character of its land and people. Howard H. Peckham relates recent changes in Indiana as a variety of ethnic and racial groups have come seeking a share in the good life, enriching and redefining this ever-changing state for the new millennium.