This volume explores the power of matter and materials in the Eastern Roman Empire, also known as Byzantium. Recent attention to matter as dynamic and meaningful constitutes an emerging, interdisciplinary field of inquiry known as materiality, new materialism, or the material turn. Materials can be symbolic, but matter can also act on human subjects. This volume builds on these insights to consider the role of matter, materials, form, and embodied experiences in Byzantium. In many respects, Byzantine materiality represents a continuation of its Greco-Roman inheritance, which was also shared by neighboring peoples such as the Umayyads and Abbasids. But the Byzantines also developed their own, unique perspectives on matter and form, as with their parsing of the sacred materialities of icons, the Eucharist, and relics. Chapters in this volume consider the cultural meanings and functions of materials such as gold and ivory, the materiality of icons and relics, experiences of objects, as well as Byzantine philosophies of matter and form. Materiality takes center stage in Byzantine constructions of power, luxury, belief, and identity, which will be of interest to scholars and students of Byzantium and the wider medieval world.

The 30 studies presented here are dedicated to Sophia Kalopissi-Verti, Emerita of Byzantine Archaeology at the National and Kapodistrian University of Athens. They cover a large variety of topics presenting unpublished archaeological material, suggesting new approaches to various aspects of Byzantine archaeology, material culture and art history.

Written in response to an exhibition the author curated at The Menil Collection in 2013, these essays challenge us to find novel ways to explore Byzantine art. They marshal diverse disciplines - modern art, environmental theory, anthropology - to argue that Byzantine culture formed a special kind of Christian animism. While foreign to our world, that animism holds important lessons for our own relations to the world. Mutual probings of subject and art, of past and present, arise in these essays - some new and some previously published - opening up new explanations that will interest art historians, museum professionals, and anyone interested in how art makes and remakes the world.

This volume complements Anna Muthesius' two earlier ground-breaking volumes in the field of silk as material culture: Studies in Byzantine and Islamic Silk Weaving and Studies in Silk in Byzantium. The publication highlights the fact that similar patterns of selection were at work in the acquisition of silks by secular and ecclesiastical bodies. These patterns of selection were governed not only by fashions of the time, but by access to international trade routes leading to the Great Silk Road linking the Near East to the Mediterranean. The surviving silks prove that Mediterranean/Near Eastern silk trade flourished continuously and for centuries prior to the thirteenth century, contrary to what has previously widely been assumed. It also highlights the crucial role of the Caucasian silk routes in accessing the Great Silk Road in the early period, and the contribution of Georgian (and Armenian) silk weaving after the thirteenth century. Above all, the book demonstrates how important it is to assess the impact of Near Eastern silk manufacture and distribution in relation to Byzantine and Islamic Mediterranean silk production and trade.

This volume consists of 15 articles published between 1991 and 2018. It falls into three sections, reflecting different areas of Liz James’s interests. The first section deals with light and colour and mosaics: four articles considering light and colour in mosaics and the making of mosaics, as well as the question of what it means to define mosaics as ‘Byzantine’ are reprinted. The second brings together four pieces on empresses: their relationships with female personifications and the Mother of God; their roles in founding and refounding buildings; and their employment as ciphers by some authors. Finally, seven papers cover a range of topics: what monumental images of saints in churches might have been for; what the differences between relics and icons might have been; how captions to images can be misleading; why touch was an important sense; how words can sometimes ‘just’ be decorative rather than for reading; why the materiality of objects makes a difference. There is also a brief section of additional notes and comments which add to, update and reflect on each piece now in 2024. Mosaics, Empresses and Other Things in Byzantium will be of interest to scholars and students alike interested in material culture, the depiction of regal women, and the use of relics and icons in the Byzantine Empire.

Studies on everyday life commonly focus on housing conditions, eating and drinking, clothing, hygiene and medical care, professions, land and sea communications, and generally, on production and consumption. Material objects are dominant in these areas; nevertheless, mental aspects can also frequently be considered the carrier and/or symbol of concepts or values. For this reason, an international symposium held in Cambridge in 2001, which counted the Viennese Institute of Byzantine Studies among its organizers, was intent upon including the concept of "well-being" in its multi-facetted aspects, in the material, legal and philosophical-religious dialogue. The symposium's proceedings, consisting of twenty-three contributions preceded by an introduction discussing the current state of research and future plans, accordingly deal with, among other things, town planning, perfume in the secular sphere as well as that of the church, magical practices and holy physicians, clothing as a status symbol, and forms of abundance and shortage in the Byzantine diet.

This Handbook is the first to consider the interrelated subjects of gender and sexuality in the Eastern Roman Empire from an interdisciplinary perspective. Drawing on both modern theories and Byzantine perceptions, and considering multiple periods and religions (Eastern Orthodox, Islamic, and Jewish), it provides evidentiary textual and visual material support for an analysis of the two linked themes. Broadly, the essays demonstrate that gender and sexual constructs in Byzantium were porous. As a result, they expand our knowledge of not only how sex and gender were conceived and performed but also how ideas and practices shaped Byzantine life. The Routledge Handbook of Gender and Sexuality in Byzantium will be an indispensable guide for students and scholars of late antique and Byzantine religion, history, culture, and art, who will find it a useful critical survey of current scholarship and one that shines new light in their areas of research. The focus on issues of gender and sexuality may also be of interest to individuals concerned with Eastern Mediterranean culture, as well as to the broader public. Chapter 21 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.