Analyse : Evoque la présence de Lord Byron et P. Shelley sur les rives du Léman.

Analyse : Evoque la présence de Lord Byron et P. Shelley sur les rives du Léman.

This collection brings together current research on topics that are perennially important to Romantic studies: the life and work of Jean-Jacques Rousseau, and the landscape and history of his native Switzerland.

In 1816, following the scandalous collapse of his marriage, Lord Byron left England forever. His first destination was the Villa Diodati by Lake Geneva where he stayed together with Percy Bysshe Shelley, Mary Godwin, Claire Clairmont and John Polidori. Byron in Geneva focuses sharply on the poet’s life in the summer of that year, a famous time for meteorologists (for whom 1816 is the year without a summer), but also that crucial moment in the development of his writing when, urged on by Shelley, Byron tried to transform himself into a Romantic poet of the Wordsworthian variety. The book gives a vivid impression of what Byron thought and felt in these few months after the breakdown of his marriage, but also explores the different aspects of his nature that emerge in contact with a remarkable cast of supporting characters, which also included Madame de Staël, who presided over a famous salon in Coppet, across the lake from Geneva, and Matthew Lewis, author of the splendidly erotic `Gothic’ best-seller, The Monk. David Ellis sets out to challenge recent damning studies of Byron and through his meticulous exploration of the private and public life of the poet at this pivotal moment, he reasserts the value of Byron’s wit, warm-heartedness, and hatred of cant.

This book offers a reappraisal of Byron's tenure of landed estates, an entirely new explanation of events surrounding the sale of his ancestral home at Newstead Abbey, and new thoughts on his financial circumstances during his years in Italy and Greece. Byron is examined as a landed aristocrat, and his financial and business affairs are unravelled in this context."--BOOK JACKET.

"Traces the Gothic impulses in proto-Romantic and Romantic British, American and European culture, 1740-1830"--Quatrième de couverture.