Christopher Buckley at his best: an extraordinary, wide-ranging selection of essays both hilarious and poignant, irreverent and delightful. In his first book of essays since his 1997 bestseller, Wry Martinis, Buckley delivers a rare combination of big ideas and truly fun writing. Tackling subjects ranging from "How to Teach Your Four-Year-Old to Ski" to "A Short History of the Bug Zapper," and "The Art of Sacking" to literary friendships with Joseph Heller and Christopher Hitchens, he is at once a humorous storyteller, astute cultural critic, adventurous traveler, and irreverent historian.

Christopher Buckley at his best: an extraordinary, wide-ranging selection of essays both hilarious and poignant, irreverent and delightful. In his first book of essays since his 1997 bestseller, Wry Martinis, Buckley delivers a rare combination of big ideas and truly fun writing. Tackling subjects ranging from “How to Teach Your Four-Year-Old to Ski” to “A Short History of the Bug Zapper,” and “The Art of Sacking” to literary friendships with Joseph Heller and Christopher Hitchens, he is at once a humorous storyteller, astute cultural critic, adventurous traveler, and irreverent historian. Reading these essays is the equivalent of being in the company of a tremendously witty and enlightening companion. Praised as “both deeply informed and deeply funny” by The Wall Street Journal, Buckley will have you laughing and reflecting in equal measure.

In But Enough About Me, legendary film actor and Hollywood superstar Burt Reynolds recalls the people who shaped his life and career, for better or for worse. From Robert Altman, Cary Grant, Clint Eastwood and Robert Mitchum to Bette Davis, Marlon Brando, Woody Allen and Kirsty Alley, Burt pays homage to those he loves and respected, acknowledges those who've stayed loyal, and calls out the assholes he can't forgive. Recalling his life and career spanning over 50 glorious years, the legendary actor gives special attention to the two great loves of his life, Dinah Shore and Sally Field, his son, Quinton, as well as to the countless people who got in his way on his journey to Hollywood domination. With chapters on his early childhood, how he discovered acting, played poker with Frank Sinatra, received directing advice from Orson Welles, his golden years in Hollywood, his comeback in the late 1990s, and how his life and art led him to found the Burt Reynolds Institute for Film and Theatre, But Enough About Me is a gripping and eye-opening story of one of cinema's true greats.

Enough About You is a book about David Shields. But it is also a terrifically engrossing exploration and exploitation of self-reflection, self-absorption, full-blown narcissism, and the impulse to write about oneself. In a world awash with memoirs...

Those who are in the unenviable position of living or working with a narcissist have learned by sad trial and error that they are the only one in the relationship who can change the dynamic. Certainly narcissists don’t think they need to change. Enough About You, Let’s Talk About Me is a hands-on resource for helping colleagues, families, and spouses deal with people who exhibit narcissistic tendencies by learning how to change their own attitudes and responses.

Through the memoirs of contemporaries and pieces of her autobiography, Miller explores the unexpected ways that the stories of other people's lives give meaning to our own. But Enough About Me is a group biography, or even an ethnography, of women, primarily middle-class and urban, now in their fifties and sixties. The book also mounts a defense of the memoir against accusations of terminal narcissism by showing how the forms of life writing--memoirs, diaries, essays--are as much about others as they are about their authors.

OF WHAT FUTURE ARE THESE THE WILD, EARLY DAYS? An exploration of the role that artists play in resisting authoritarianism with a sci-fi twist. In poetry, dialogue and visual art the book follows two wandering poets as they make their way from village to village, across a prison colony moon full of exiled rebels, robots, and storytellers. Part post-apocalyptic road journal, part alternate universe history of Hip Hop, and part “Letters to a Young Poet”-style toolkit for emerging poets and aspiring movement-builders, it's also a one-of-a-kind practitioners' take on poetry, power, and possibility. NOT A LOT OF REASONS TO SING is a: -post-apocalyptic road journal -alternate universe history of Hip Hop -“Letters to a Young Poet” -toolkit for emerging poets and aspiring movement-builders it's also a one-of-a-kind practitioners' take on poetry, power, and possibility.