The Bushwomen--women appointed to the inner circle of the president's cabinet and sub-cabinet--are a strange breed. In this bestseller, Flanders investigates how they rose to high office, where they might be headed, and whether their power is a victory for women's equality.

The Bushwomen--women appointed to the inner circle of the president's cabinet and sub-cabinet--are a strange breed. Flanders investigates how they rose to high office, where they might be headed, and whether their power is a victory for women's equality.

From New York Times bestselling celebrity biographer J. Randy Taraborrelli comes Grace & Steel, the epic, hidden history of the exceptional women behind the greatest political dynasty of all time—the Bush family. Bestselling author J. Randy Taraborrelli reveals the unsung heroines of the inimitable Bush family dynasty: not only First Ladies Barbara and Laura, but other colorful women whose stories have been left out of history for far too long, including Barbara’s mother-in-law, the formidable Dorothy Bush; the enigmatic Columba and the controversial Sharon; and Laura’s twins, Jenna and Barbara. No matter the challenges related to power and politics, the women of the Bush dynasty always fought for equality in their marriages as they raised their children to be true to American values. In doing so, they inspired everyday Americans to do the same. Or, as Barbara Bush put it, “The future of this nation does not depend on what happens in the White House, but what happens in your house.” Details from the book include: —The tragedy Barbara faced in burying her three-year-old daughter, Robin, and her struggle with depression over the decades that followed. —The tragic night a teenage Laura Bush accidentally killed a good friend—a story she did not discuss publicly for decades. —The revelation of the affair that almost doomed George HW's hopes for the presidency. —The truth behind the fraught relationship between Nancy Reagan and Barbara Bush that culminated in an angry phone call during which Barbara told her she would never speak to her again—and she didn't.

"The author's long-term engagement with the company has given her unprecedented access to Urban Bush Women. This Clearly contributes to her in-depth understanding of the dynamics of the company and of the choreographic processes that undergird Urban Bush Women Concert Pieces."---Sarah Davies Cordova, author of Paris Dances: Textual Choreographies in the Ninettenth-Century French Novel --

During the war in Sierra Leone (1991–2002), members of various rebel movements kidnapped thousands of girls and women, some of whom came to take an active part in the armed conflict alongside the rebels. In a stunning look at the life of women in wartime, Chris Coulter draws on interviews with more than a hundred women to bring us inside the rebel camps in Sierra Leone.When these girls and women returned to their home villages after the cessation of hostilities, their families and peers viewed them with skepticism and fear, while humanitarian organizations saw them primarily as victims. Neither view was particularly helpful in helping them resume normal lives after the war. Offering lessons for policymakers, practitioners, and activists, Coulter shows how prevailing notions of gender, both in home communities and among NGO workers, led, for instance, to women who had taken part in armed conflict being bypassed in the demilitarization and demobilization processes carried out by the international community in the wake of the war. Many of these women found it extremely difficult to return to their families, and, without institutional support, some were forced to turn to prostitution to eke out a living.Coulter weaves several themes through the work, including the nature of gender roles in war, livelihood options in war and peace, and how war and postwar experiences affect social and kinship relations.

How the concept of 'the typical Australian' has evolved across a range of cultural forms.

Provocative, moving, powerful, explicit, strong, unapologetic. These are a few words that have been used to describe the groundbreaking Brooklyn-based dance troupe Urban Bush Women. Their unique aesthetic borrows from classical and contemporary dance techniques and theater characterization exercises, incorporates breath and vocalization, and employs space and movement to instill their performances with emotion and purpose. Urban Bush Women concerts are also deeply rooted in community activism, using socially conscious performances in places around the country—from the Kennedy Center, the Lincoln Center, and the Joyce, to community centers and school auditoriums—to inspire audience members to engage in neighborhood change and challenge stereotypes of gender, race, and class. Nadine George-Graves presents a comprehensive history of Urban Bush Women since their founding in 1984. She analyzes their complex work, drawing on interviews with current and former dancers and her own observation of and participation in Urban Bush Women rehearsals. This illustrated book captures the grace and power of the dancers in motion and provides an absorbing look at an innovative company that continues to raise the bar for socially conscious dance.