As the Seventies drew to a close and the media declared punk dead and buried, a whole new breed of band was emerging from the gutter. Harder and faster than their ’76–’77 predecessors, not to mention more aggressive and political, the likes of Discharge, the Exploited, and G.B.H. were to prove not only more relevant but arguably just as influential. Several years in the making and featuring hundreds of new interviews and photographs, Burning Britain is the true story of the UK punk scene from 1980 to 1984 told for the first time by the bands and record labels that created it. Covering the country region by region, author Ian Glasper profiles legendary bands like Vice Squad, Angelic Upstarts, Blitz, Anti-Nowhere League, Cockney Rejects, and the UK Subs as well as the more obscure groups like Xtract, The Skroteez, and Soldier Dolls. The grim reality of being a teenage punk rocker in Thatcher’s Britain resulted in some of the most primal and potent music ever committed to plastic. Burning Britain is the definitive overview of that previously overlooked era.

After Britain abolished slavery throughout most of its empire in 1834, Victorians adopted a creed of "anti-slavery" as a vital part of their national identity and sense of moral superiority to other civilizations. The British government used diplomacy, pressure, and violence to suppress the slave trade, while the Royal Navy enforced abolition worldwide and an anxious public debated the true responsibilities of an anti-slavery nation. This crusade was far from altruistic or compassionate, but Richard Huzzey argues that it forged national debates and political culture long after the famous abolitionist campaigns of William Wilberforce and Thomas Clarkson had faded into memory. These anti-slavery passions shaped racist and imperialist prejudices, new forms of coerced labor, and the expansion of colonial possessions.In a sweeping narrative that spans the globe, Freedom Burning explores the intersection of philanthropic, imperial, and economic interests that underlay Britain's anti-slavery zeal— from London to Liberia, the Sudan to South Africa, Canada to the Caribbean, and the British East India Company to the Confederate States of America. Through careful attention to popular culture, official records, and private papers, Huzzey rewrites the history of the British Empire and a century-long effort to end the global trade in human lives.

The director of the famed Bodleian Libraries at Oxford narrates the global history of the willful destruction—and surprising survival—of recorded knowledge over the past three millennia. Libraries and archives have been attacked since ancient times but have been especially threatened in the modern era. Today the knowledge they safeguard faces purposeful destruction and willful neglect; deprived of funding, libraries are fighting for their very existence. Burning the Books recounts the history that brought us to this point. Richard Ovenden describes the deliberate destruction of knowledge held in libraries and archives from ancient Alexandria to contemporary Sarajevo, from smashed Assyrian tablets in Iraq to the destroyed immigration documents of the UK Windrush generation. He examines both the motivations for these acts—political, religious, and cultural—and the broader themes that shape this history. He also looks at attempts to prevent and mitigate attacks on knowledge, exploring the efforts of librarians and archivists to preserve information, often risking their own lives in the process. More than simply repositories for knowledge, libraries and archives inspire and inform citizens. In preserving notions of statehood recorded in such historical documents as the Declaration of Independence, libraries support the state itself. By preserving records of citizenship and records of the rights of citizens as enshrined in legal documents such as the Magna Carta and the decisions of the US Supreme Court, they support the rule of law. In Burning the Books, Ovenden takes a polemical stance on the social and political importance of the conservation and protection of knowledge, challenging governments in particular, but also society as a whole, to improve public policy and funding for these essential institutions.

Three times in the last sixty years musical movements have played a vital role in confronting the rise of fascist organisations in Britain - The Stars Campaign for Interracial Friendship in the 1950s, Rock Against Racism in the late 1970s and Love Music Hate Racism in the first two decades of the 21st century. This book is a tribute to those three musical movements and the musicians, activists and youth subcultures that surrounded them, and an in-depth study of the rise of modern fascist movements and the political strategies needed to defeat them.

Churchill's description of the fall of Singapore on 15 February 1942, after Lt-Gen Percival's surrender led to over 100,000 British, Australian and Indian troops falling into the hands of the Japanese, was no wartime exaggeration. The Japanese had promised that there would be no Dunkirk in Singapore, and its fall led to imprisonment, torture and death for thousands of allied men and women. With much new material from British, Australian, Indian and Japanese sources, Colin Smith has woven together the full and terrifying story of the fall of Singapore and its aftermath. Here, alongside cowardice and incompetence, are forgotten acts of enormous heroism; treachery yet heart-rending loyalty; Japanese compassion as well as brutality from the bravest and most capricious enemy the British ever had to face.

It was, of course, the Battle of Britain, or rather its conclusion, that prompted one of Winston Churchill's most memorable pieces of oratory that has its epitome in the sentence, 'Never in the field of human conflict was so much owed by so many to so few.' If the Battle of Britain had been lost it is very likely the New Order to which the Axis powers had pledged themselves would have become global with unthinkable consequences for the world afterwards. The importance of the Battle of Britain cannot be exaggerated though inevitably in the succeeding years the accretion of myth has brought about many distortions. This multi-faceted symposium emerged from the Centre of Second World War Studies at Edinburgh University with the aim, in the words of the editors, 'to reassess established themes while opening up new ones.' After a masterly introduction by Brian Bond, the book is divided into six parts: Before the Battle; The Battle; The View from Afar; Experience and Memory; The Making of a British Legend and The Significance. The contributors are: Klaus A. Maier; Malcolm Smith; Horst Boog; Sebastian Cox; Sergei Kudryshov; Richard P. Hallion; Theodore F. Cook; Hans-Ekkehard Bob; Wallace Cunningham; Nigel Rose; Owen Dudley Edwards; Angus Calder; Tony Aldgate; Adrian Gregory; Jeremy Lake and John Schofield; Paul Addison and Jeremy A. Crang and Richard Overy. No survey could be more wide-ranging or fascinating. First published in 2000 to mark the 60th anniversary, it is now being reissued in 2010 to mark the 70th anniversary. 'But it is terrific. It's not only an acknowledgement of the heroism of the fighter pilots (and all the ancillary crew), but a serious contribution to the historical record. Seventeen contributors write about the Battle from pretty much every conceivable angle; and Addison and Crang have chosen them well. . . This is not an automatically worshipful book; it poses questions about the morality of war, the existence of heroism, the reliability of memory. But it treats the subject honestly and with justice. And it tells us why we won: because, it would appear, it helps to come from a society that is sceptical of authority rather than in blind, unthinking terror of it.' Nicholas Lezard, Guardian ''This book is a first-class piece of work, stimulating, informative and concise.' Brian Holden Reid, Times Higher Education Supplement. 'This is a nugget of a book . . . it assembles, most readably, a range of authoritative and international views on the Battle, its history, and its significance.' Air Chief Marshall Sir Michael Graydon, Royal United Services Institute 'This is a much told story, but the varied viewpoints of the 20 contributors to Burning Blue - ranging from a fascinating essay by Owen Dudley Edwards on the air war as reflected in children's literaturer to the memories of pilots who fought in it on both sides - give an impressive breadth and depth. And even though it strips away hindsight and refuses to burnish legends, what is left is still one of the most remarkable stories in the whole of British history. The British empire didn't last a thousand years, but the man was right: this truly was its finest hour.' David Robinson, The Scotsman

On the night of 11 December 1920 Cork City was to experience an unprecedented night of terror and destruction at the hands of the British forces of law and order. The Irish War of Independence was raging out of control and Cork was in the eye of the storm. It was a guerrilla war fuelled by reprisal and counter reprisal - the city streets became the battleground of a bloody and personalised war of attrition. With over five acres of the city destroyed and an estimated 20 million pounds worth of damage, the burning of Cork is recognised as the most extensive single act of vandalism in the entire period of the nationalist struggle. The burning of Cork cannot be regarded as an isolated incident. In the nine months leading up to the night, Cork city witnessed an ever escalating cycle of violence as attacks by the Volunteers were answered by the predictable reprisal by the crown forces.