This report examines how existing implementation structures established under the Asian Development Bank (ADB) and National Government investment programs could be used to channel subnational government resources toward priority infrastructure investments more effectively. The report considers the legal and institutional issues associated with ADB expanding its subnational partnerships and proposes a number of coordinated engagement frameworks that are aligned with the Papua New Guinea Public Financial Management Act (1996).

The A to Z of Creative Writing Methods is an alphabetical collection of essays to prompt consideration of method within creative writing research and practice. Almost sixty contributors from a range of writing traditions and across multiple forms and genre are represented in this volume: from poets, essayists, novelists and performance writers, to graphic novelists, illustrators, and those engaged in multi-media writing or writing-related arts activism. Contributors bring to this collection their distinct and diverse literary and cultural contexts, defining, expanding and enacting the methods they describe, and providing new possibilities for creative writing practice. Accessible and provocative, A to Z of Creative Writing Methods lays bare new developments and directions in the field, making it an invaluable resource for the teachers, research students and scholar-practitioners in the field of creative writing studies.

The First International Conference on Pidgins and Creoles in Melanesia was planned mainly for Tok Pisin, but no predetermined theme(s) had been proposed to the participants. Nevertheless, in this collection of papers several principal themes stand out.One is that of a revived interest in substratology, both for Tok Pisin and for Bislama. Another is what in fact amounts to a change in perspective from universalism, as supposedly competitive with the substratological orientation, towards a generalist approach to typology, which reduces the apparent polarity, from a theoretical point of view. A third is the pervasive interest of contributors in wider language issues in the social and political life of Papua New Guinea.These interests go back to the linguistic and social experience of the participants, most of whom have a long record of living among the people whose languages they have studied on a day-to-day basis, and to the relative remoteness of their inspiration from the more theoretical and perhaps ultimately untestable issues which surround the universalist approach and its claims for a bioprogram foundation for language.

Emergent Masculinities in the Pacific focuses on the plasticity and contingent nature of Pacific Island masculinities over the course of colonial and postcolonial histories. The several case histories concern the use of sports to recuperate but also refashion past masculinities in the name of contemporary masculine pride; the effects of market participation on younger males; how urbanisation and migration set the stage for experimenting with male gender and sexuality; the impacts of military and labour histories on local masculinities; masculinity and violence in war and gender violence; and structural violence and disruptions in male gender identity. Depicting contemporary Pacific Island societies as a space of gender invention and pluralism as indigenous gender regimes respond to the stimulations of transnational flows, the book asks a key historical question: Do emergent masculinities signal a rupture, or some continuity with, past masculinities? This book was originally published as a special double issue of The Asia Pacific Journal of Anthropology.

Kragur village lies on the rugged north shore of Kairiru, a steep volcanic island just off the north coast of Papua New Guinea. In 1998 the village looked much as it had some twenty-two years earlier when author Michael French Smith first visited. But he soon found that changing circumstances were shaking things up. Village on the Edge weaves together the story of Kragur villagers' struggle to find their own path toward the future with the story of Papua New Guinea's travails in the post-independence era. Smith writes of his own experiences as well, living and working in Papua New Guinea and trying to understand the complexities of an unfamiliar way of life. To tell all these stories, he delves into ghosts, magic, myths, ancestors, bookkeeping, tourism, the World Bank, the Holy Spirits, and the meaning of progress and development. Village on the Edge draws on the insights of cultural anthropology but is written for anyone interested in Papua New Guinea.

This book is a musical ethnography of the Duna people of Papua New Guinea. A people who have experienced extraordinary social change in recent history, their musical traditions have also radically changed during this time. New forms of music have been introduced, while ancestral traditions have been altered or even abandoned. This study shows how, through musical creativity, Duna people maintain a connection with their past, and their identity, whilst simultaneously embracing the challenges of the present.

Talking Politics is a philosophical examination of some of the basic concepts of political discourse. Its primary focus is on the ordinary; on what is said by politicians, in newspapers and by people in pubs, rather than on the works of political theorists. This is a work of, but not on political theory. Talking Politics is: * Invaluable as a source of reference for students, and contains a detailed index * Arranged thematically, around topics such as `Nation'. Each entry has copious cross-references and suggestions for further reading A. W. Sparkes is uniquely qualified to write such a book, combining some thirty years' teaching as a philosopher with wide experience of, and a life-long fascination with, politics. His attitude is that of a critical, but uncynical, observer.