The life of John Davenport, who co-founded the colony of New Haven, has long been overshadowed by his reputation as the most draconian of all Puritan leaders in New England—a reputation he earned due to his opposition to many of the changes that were transforming New England in the post-Restoration era. In this first biography of Davenport, Francis J. Bremer shows that he was in many ways actually a remarkably progressive leader for his time, with a strong commitment to education for both women and men, a vibrant interest in new science, and a dedication to promoting and upholding democratic principles in his congregation at a time when many other Puritan clergymen were emphasizing the power of their office above all else. Bremer’s enlightening and accessible biography of an important figure in New England history provides a unique perspective on the seventeenth-century transatlantic Puritan movement.

The chantry movement in late medieval England is situated in this context, and leads to a demonstration of the movement's associations with the highly-wrought poem Pearl and its companion poems; the book analyses Pearl as medieval architecture, offering fresh perspectives on its elaborate construction and historical context."--BOOK JACKET.

'History writing at its compulsive best' A. N. Wilson This is a history of the ideas that shaped not only London, but Manchester, Glasgow, Liverpool, Leeds, Birmingham, Sheffield and other power-houses of 19th-century Britain. It charts the controversies and visions that fostered Britain's greatest civic renaissance. Tristram Hunt explores the horrors of the Victorian city, as seen by Dickens, Engels and Carlyle; the influence of the medieval Gothic ideal of faith, community and order espoused by Pugin and Ruskin; the pride in self-government, identified with the Saxons as opposed to the Normans; the identification with the city republics of the Italian renaissance - commerce, trade and patronage; the change from the civic to the municipal, and greater powers over health, education and housing; and finally at the end of the century, the retreat from the urban to the rural ideal, led by William Morris and the garden-city movement of Ebenezer Howard.

Fresh arguments for traditional architecture and urbanism; Bess dissects the questionable intellectual assumptions of contemporary architecture. How modern societies find physical expression in contemporary suburban sprawl by considering the role of both the natural law tradition and communal religion in providing intellectual and spiritual depth to contemporary attempts to build new-and revive existing-traditional towns and cities.

Blunt discussion about Islam, Zionism and the Middle East from a Catholic perspective.

A biographical excavation of one of the world’s great, troubled cities A remarkable view of one of the world’s most beloved and troubled cities, Adina Hoffman’s Till We Have Built Jerusalem is a gripping and intimate journey into the very different lives of three architects who helped shape modern Jerusalem. The book unfolds as an excavation. It opens with the 1934 arrival in Jerusalem of the celebrated Berlin architect Erich Mendelsohn, a refugee from Hitler’s Germany who must reckon with a complex new Middle Eastern reality. Next we meet Austen St. Barbe Harrison, Palestine’s chief government architect from 1922 to 1937. Steeped in the traditions of Byzantine and Islamic building, this “most private of public servants” finds himself working under the often stifling and violent conditions of British rule. And in the riveting final section, Hoffman herself sets out through the battered streets of today’s Jerusalem searching for traces of a possibly Greek, possibly Arab architect named Spyro Houris. Once a fixture on the local scene, Houris is now utterly forgotten, though his grand Armenian-tile-clad buildings still stand, a ghostly testimony to the cultural fluidity that has historically characterized Jerusalem at its best. A beautifully written rumination on memory and forgetting, place and displacement, Till We Have Built Jerusalem uncovers the ramifying layers of one great city’s buried history as it asks what it means, everywhere, to be foreign and to belong.